Category Archives: Community

Community history

Community  Reprinted from The Great Speckled Bird, vol. 3 #27 July 10, 1970

It has been said that you have to understand the past to know the future. Freaks don’t necessarily believe that. We’ve seen how our parents have used the past as an excuse for standing still. In our lifestyle we are attempting an affirmation, not of the past, nor the  present, but the future.

Now though, after several years of growth, the hip community in Atlanta does have a past. There have been important struggles in Atlanta-struggles for the street, for the park, for store-fronts, for our own institutions, for unity against straight Atlanta’s rulers. This is our history and we can learn from it.

For years, the Midtown area of Atlanta has been the center of a small bohemian colony. It grew around the Atlanta Art School, located on Peachtree near 15th. In those days (late fifties) before the corporations decided that art was a necessary part of good business, the Art School was a pretty open, groovy place. One of the first coffeehouses, The Golden Horn, opened near the Art School during the folk music craze begun by the Kingston trio. At the time the only place you could see quality foreign films was at the Peachtree Art Theater, and near it were two of the best record shops in town. Grass was plentiful and if the cops busted a party for too much noise or something they didn’t know to look for it or know to recognize the wonderful sweet aroma.

Not all was peaches and cream, though. Before the Golden Horn, a coffeehouse had been opened on West Peachtree and busted on opening night. The owners were busted for operating a dive and for obscenity from Playboy pinups upstairs in a bedroom.

The economics of the neighborhood supported the colony. With the flight to the suburbs in the mid-fifties, the neighborhood had been surrendered to working class whites and rents were pretty cheap. Rentals of storefronts were relatively cheap since many merchants in the area moved to Ansley Mall when it opened about 1965.

In 1966 a student at the Art School, David Braden, opened an Art Gallery on the north side of l4th. That was Mandorla No. 1 and when he moved it to the corner of Peachtree and 14th it became Mandorla No. 2. In the basement Braden opened a coffeehouse-The Catacombs.

Braden was gay and was out front about it. People respected him for that and for the openness of his gallery  to new art. In the summer of 1967 when kids, mostly from metro Atlanta, began to come into the area, Mandorla was the natural place to go. A few hip people began to sit on the porch or on the wall across the street.

Summer of 1967 was the Haight-Ashbury summer, and news media across the country began looking around their towns for hippies. Atlanta was no exception; They found Braden and made him into the “leader of the hippie colony.” The cops got uptight, and Braden was busted for possession in November 1967. He got a year’s suspended sentence for that but in March 1968 he was busted for selling to a minors- a police frame-up. Braden had attempted suicide and when his lawyer pleaded him guilty, his charge was reduced to simple possession. He’s still in jail, one of many taking the rap for the rest of us.

Six hours after Braden’s second arrest, the vice squad raided the Morning Glory Seed, Atlanta’s first headshop, located on West Peachtree near North Avenue. The owner was a friend of Braden’s who had helped him with the defense in his bust. Two employees were busted and a warrant was issued for the owner. The Morning Glory Seed was closed.

But the police weren’t able to close the Middle Earth head shop on Eighth Street near Peachtree. They did try, though. The Middle Earth was opened in November 1967 by Bo and Linda Lozoff. They opened with a poetry reading by an Emory professor. The cops came that night and practically every night after that, hassling customers, hassling Bo about his cycle, threatening arrests for “obscene” posters in the shop. Bo fought back and kept his shop alive.

Spring 1968 came and the warm weather brought kids back into the area. The Catacombs had been reopened as a rock club and kids gathered around the corner of Peachtree and 14th creating Atlanta’s first real street scene. Lozoff opened a branch of the Middle Earth upstairs where the gallery had been. in March 1968 the Bird began operating from a house down 14th a half block from the corner.

The city saw what was happening and sent the cops to clean it out. Kids were arrested for loitering, jaywalking, vagrancy-anything the cops could think up. Sometimes 20 or 30 were arrested at a time. Bird sellers began getting arrested for “violation of pedestrian duties.” Lozoff, who was seeing his customers arrested in his 14th Street shop, wrote in the Bird, “The Atlanta Police Department is not a corrupt arm of democracy. It is a fascist branch of an increasingly fascist society based on violence, intolerance and oppression.” He was right.

Drug busts increased with increased use of undercover narcs. Then during the summer Lozoff was forced to close his branch because the police harassment was| driving away customers. The Twelfth Gate, a Methodist Church coffeehouse on 10th Street which had earlier opened a free clinic on 15th Street, opened the 14th Gate in the space. Logoff had used. Their idea was to provide a place for kids to get in off the street, away from the cops. They had a good jukebox and inexpensive food.  But the cops came in and busted kids for loitering and sleeping in a public place. Near the end of the summer the l4th Gate closed.

The first struggles for Piedmont Park began in July 1968. In the spring and summer, kids had been run out of the park by the cops. In July folks got together a Be-In. Eight hundred people showed-up. Some bands  were there but the electricity was turned off. A generator was on hand but the cops stopped it. The Be-In moved to the Bird’s back yard. No real protest was made made-the community was still weak then.

During the summer, at the trial of some kids who were busted at the corner of l4th and Peachtree. Municipal Court Judge Jones summed up what everyone by then knew was happening. In court he said, “I’ve never tried one of these cases before, but we’ve received complaint after complaint from business about people hanging around and taking over the area. Now these officers have their instructions, and if you’re brought into this courtroom on charges of loitering, the court is going to find you guilty.”

In fall of 68 the street scene slowed down as kids  went back to school and the weather grew colder. In October  a sit-in was held at the Pennant Restaurant near l4th and Peachtree after the restaurant began refusing freaks service. The Pennant returned to a policy of serving anyone.

Also in October, the Merry-Go- Round opened on what is now called the Strip. Opened by two guys who were shrewd enough to see that there was a lot of money to be made from hip culture in Atlanta, the Merry-Go-Round did well from the start. Previously the real estate interests had refused to open the strip to anything that looked hippish. Some real estate men saw that they too could make money off the hippies, and the strip was open with in most cases higher rents charged to the merchants of hip culture.

The winter of 68- 69 was pretty quiet. Drug busts continued, often concentrated in two apartment buildings on either side of the Bird office on 14th Street. In January another sit-in was held, this time at the Waffle House on Peachtree near Tenth. It too succeeded in opening the restaurant up at least for a time.

Spring 1969 opened with a Bird birthday party in the park on March 29. The Bird had discovered that there were no ordinances prohibiting the use of electric music in the park or regulating the use of the pavilion. So the celebration was held with the live, electric music of the Hampton Grease Band. The park was opened.

In April work was begun on She trade mart which was to become Atlantis Rising. The store was owned by two persons who thought of it as a cooperative in which “tradesmen” could lease space for their wares at overhead cost. For a time Atlantis became the focus for the community, with a lot of kids helping in the construction. As the street scene picked up again Atlantis became one of two places to hang around.

The other gathering place was the Middle Earth up on Eighth Street. At night kids began to gather, talk and deal on the parking lot across the street from Middle Earth. Again the city got uptight and sent the cops. Arrests on a large scale began for the same old charges jaywalking, vagrancy, etc. At times police would set up roadblocks on Eighth Street to conduct searches of cars.

On May 17 three kids were arrested at the Waffle House when they refused to leave after being refused service. Spontaneously a demonstration was held in front of the restaurant. The community was getting together. Things would be different in 1969.

Late in the winter, construction was begun on Colony Square, the office development that stands at Peachtree&14th. Older residents knew that area was slated or high-rise development but the Colony Square construction brought the news home to everybody. In the months before construction began, city housing inspectors were busy inspecting and condemning buildings to help pave the way for the developers. Housing became harder and harder for freaks to find, for their buildings were the first to be condemn

1969 was an election year in Atlanta and the hip community soon became one of the political issues when Alderman Everett Millican, a mayoral candidate, began calling for action against the “sex deviates” and hippies in the parks and along Peachtree Street. Not to be out- hippie baited by Millican, Mayor Allen, who supported another candidate, said on June 30: “We arrest them by the hundreds for the slightest infraction of the law.” It was true: hundreds of arrests were being made on Eighth Street and throughout the community.

On July 4th, the first Atlanta Pop Festival was held near Atlanta. Afterwards more kids were on the streets. Harassment arrests continued. Bird sellers were arrested for jaywalking when they stepped off the curb.

On August 4 police conducted another large narcotics raid on 14th Street. Some of the kids were charged with occupying a dive. As the police led the kids into the paddy wagon, a crowd gathered and began chanting at the police. After ten or fifteen minutes of “Pigs Out of Our Community!” the police charged, maced, and started blasting. Three Bird staffers were charged with inciting to riot. The next week the Bird was give an eviction notice because the insurance was cancelled after someone planted Molotov cocktails in the bushes in front of several 14th Street buildings.

The community was uptight. Next week a community meeting was held behind Atlantis Rising but nothing was done. Later a community patrol was begun for a couple of weeks to try to protect freaks from police harassment.

Over the summer music had continued sporadically in the park. Late in August when tensions were highest, The Hampton Grease band gave a “Labor of Love” in the Park. It was a fine time.

Then in September, Atlantis Rising was firebombed. Although several witnesses gave police a description of the car, no one was caught. Atlantis stayed closed over the winter.

Next week the Atlanta people, with the cooperation of the community, got together a mini-Pop Festival which was to be a benefit for the rebuilding of the store. The city provided the showmobile stage and the music was held on the ball field in Piedmont Park. Several thousand people came during the weekend, but expenses were higher than contributions and nothing was raised for Atlantis.

The following weekend music was held again in the park. It was on a smaller scale, with the bands back on the stone steps. A plainclothes narc was in the crowd looking for a bust. George Nikas recognized, him and started telling people. The narc tried to arrest George, A crowd gathered. George split. Cops came back and arrested Bird photographer Bill Fibben, who had been taking pictures. The crowd was angry, shouting at the cops. The cops blew their cool and started lobbing tear gas. A professor’s wife was beaten. National TV carried close-up film of a kid being beaten in the face with a billy club. The following Saturday six to eight hundred freaks marched down Peachtree Street to the police station. The community was together, and the police retreated, staying out of the community for the most part until 1970. In October a three-day festival was held in the park to claim it once again as ours.

TV for Trippers

The Now Explosion went on the air in Atlanta, GA, in April, 1970. Since Ted Turner’s station was new he filled the late nights and weekends with The Now Explosion. Like MTV 10 years later, the show was programmed to stay on the air for hours at a time. In Atlanta, The Now Explosion was on the air 28 hours each weekend.  In an age when TV became ancient grainy movies after midnight, this was a life saver for people too altered to go out or go to sleep. It was also very imaginative for the time. “Did the TV really just do that? or is it my mind??”

Production of music videos was often done after midnight at channel 36 where many Atlanta residents performed in synch with top forty songs. Some music videos were shot on film in Atlanta and suburbs. Later, when the program was syndicated nationally the videos made in Atlanta were seen across the country in cities such as San Francisco, CA, Washington DC, Sacramento, CA and Boston. In New York City, it ran for hours with high ratings before and after Yankee baseball games.After thirteen weeks, in Atlanta, The Now Explosion was picked up by Ted Turner, and was seen on his Atlanta and Charlotte TV Stations for an additional 13 weeks.

http://www.thenowexplosion.com/

Come Together, Right Now!

If you visited someone in Atlanta during 1968 to the  early 1970s, odds are they would propose to take you to Atlanta’s big attraction then -The Strip!

In 1967 there was a truly underground swell in small towns all over Alabama, South Carolina, North Carolina, Florida, Tennessee, and Georgia. Everything in the South seems to run slower. Thus it was the Summer of Love happened on the West Coast in 1967. The media made the whole world a voyeuristic participant. Southern freaks who had fled to the hipper West Coast from small minded hometowns, then returned and sparked small local movements. Enough sparked folks began building an underground movement of like  minded folks finding each other that a critical mass was reached.

Weekends at Piedmont Park in 1968 Atlanta began to notice an amazing thing. The Georgia of Lester Maddox had flowered forth its own hippy freaks. And suddenly there seemed to be a lot of them each week crawling out from under rocks somewhere and gathering around 8th street to 14th streets on Peachtree and in Piedmont Park. Tho the limits are still debated, everyone around Atlanta knew generally where The Strip was located. Straight suburbanites detoured by to variously ogle hippie chicks, seek drugs, or be outraged and amused at the freakshow. New waves of freaky people constantly arriving in Atlanta from small towns all over the area knew to seek The Strip or Piedmont Park on the weekend to find friendly people.

“You’re gonna meet some gentle people there…”

 

Finery

IMG_2132_2Freaks. That was what hippies called themselves since each usually was considered a freak in their locale.  So Jefferson Airplane sings ”…and all the other freaks will share my cares” . San Franciscan hippies partly looked so flamboyant because a hundred year old opera house had sold off their costumes in late 1966.

During the late 60s just getting dressed could be a political statement.cause

In 1967 Georgia there were no shops selling hippie clothing like you saw in the magazines and on TV. Even bell bottoms were usually only available as Navy surplus. Since Freaks  followed a  do your own thing ethic TO CREATE THE MOST ORGANIC CLOTHING POSSIBLE.  people sewed a strip into the bottom of a pants leg to bell the bottom. People sewed their own clothes or altered what they purchased secondhand. And people began to embroider and paint their clothes. Tye-Dye was in and everyone thought they knew how. Even scout troops and church groups tried their hand. Freaks tye-dyed most anything available when the dye was ready.

Freak Clothing was fun and costumey or back-to-the-earth simple.  People mainly divided into two groups. One only had a few possessions. Another had enough clothes to fill an apartment and thus last between monthly commandeering of a laundromat.  Beloved jeans became souvenirs of the road and were patched and repatched onto works of art.

Most have vanished to recycling or trash, but a few beloved items are stashed away.  We would like to collect a picture  of your freak finery and urge you to consider donating it to the Atlanta History Museum or a like institution.
We are actively seeking a broader base to help with collecting artifacts, pictures,  snapshots, and hippie stories. To preserve our collective history consider donating or bequeathing items through us to the Atlanta History Center. Bequest your stuff to the best preservation available where their significance will be honored and appreciated into the future.

Can you contribute your part?

1967 psychedelic surfer pants featuring my version of Skip Williamson’s psychedelic sun, created for Raisin Bran, mystere’s chosen mark
1967 psychedelic surfer pants featuring my version of Skip Williamson’s psychedelic sun, created for Raisin Bran, mystere’s chosen mark                                     

 

home sewn hippie dresses
home sewn hippie dresses
Mitchell House Show display
Mitchell House Show display
Display of hippie clothes and cultural items at our Mitchell House Show.
Display of hippie clothes and cultural items at our Mitchell House Show.
One in a series of vests for imaginary rock bands.
vests for imaginary rock bands.
One in a series of vests for imaginary rock bands. These were created by FSU art student Tommy Giradeau in 1967One in a series of vests for imaginary rock bands. These were created by FSU art student Tommy Giradeau in 1967
One in a series of vests for imaginary rock bands. These were created by FSU art student Tommy Giradeau in 1967

 

I’m a £.S.D. addict medal from Great Britain. £.S.D. means “pounds, shillings, pence” and thus means I’m a money addict.
I’m a £.S.D. addict medal from Great Britain. £.S.D. means “pounds, shillings, pence” and thus means I’m a money addict.

 

Psychedelic surfer pants back , long pants cut-off..
Psychedelic surfer long pants cut-off.
Psychedelic surfer pants back
Psychedelic surfer pants back
IMG_2126_2
YIPPIE vest
Felix silkscrened shirt
Felix silkscrened shirt
Silk screen Felix covered many surfaces in our pad.
Silk screen Felix covered many surfaces in our pad.
Duck Hat. Worn to sell the Great Speckled Bird at 14th and Peachtree, and everywhere else.
Duck Hat. Worn to sell the Great Speckled Bird at 14th and Peachtree, and everywhere else.
Donald Duck was a great influence, especially the Unca Scrooge adventures, and the hat looked like a duck while tripping.
Donald Duck was a great influence, especially the Unca Scrooge adventures, and the hat looked like a duck while tripping.
Jeans worn for years, gives a whole new meaning to the organic clothing of today
Jeans worn for years, gives a whole new meaning to the organic clothing of today
There’s that sun again. It was the creation of underground cartoonist Skip Williamson, I learned in 2008.
There’s that sun again. It was the creation of underground cartoonist Skip Williamson, I learned in 2008.
Art Nouveau swirls planned for pants were never embroidered. Now commercialized versions of this style fill stores.
Art Nouveau swirls planned for pants were never embroidered. Now commercialized versions of this style fill stores.Rear of art nouveau pants
subtle cosmic cowboy batiqued shirt by Eve
subtle cosmic cowboy batiqued shirt by Eve
Goodwill dress shirt Eve batiqued into subtle cosmic cowboy
Goodwill dress shirt Eve batiqued into subtle cosmic cowboy
IMG_2149
Leather vest made for my mother by John Wireface at Atlantis Rising.
IMG_2150
Homage to Bucky Fuller -Spaceship Earth emblem silkscreen

IMG_2151

Ganja thermals
Ganja thermals

 

The Catacombs

Wall of The Catacombs
Wall of The Catacombs

10628576_808422495883865_5019449414161132193_nThe Catacombs was a coffeehouse/performance space/club/hangout created by Mother David in 1967 for the growing community of what came to be called hippies centered about 14th and Peachtree. Read what the Atlanta Gazette had to say about the club.

Wall of The Catacombs
Wall of The Catacombs

Darryl Rhoades was the drummer in the house band Celestial Voluptous Banana. Here is what he had to say on the subject.

catacombs-closed

shapeimage_3
Fred Holloway in For Heads Only

In the 1980s Darryl Rhoades band The Hahavishnu Orchestra portrayed the hippie house band in a movie about Atlanta hippies, “Summer of Love”.  For the movie the basement of what was now For Heads Only was repainted in black and dayglo colors to match photos and memories.fupped-ducks

On the quiet it became an after-hours club and began attracting major Atlanta artists stopping in to jam.

Piedmont Park

toots-eyes

birddancer2Piedmont Park was Atlanta’s hippies’ social center. Everyone gathered to glory in nature and each other. It was a rare joy to see so many others in tune with your feelings. People traveled from hundreds of miles for the weekly peaceful gathering of the tribes.

Several large concerts were held here, as well as a police riot.

ourpark6

 

 

 

 

It was a given that the weekend had bands and people gathering in the park.

poertopeople

 

 

 

 

piedmontantiwar
Mystere overlooks anti-war rally at Piedmont

 

 

 

 

 

 

Read the bands that played for the community – Billy Joe Royal, Joe South, Allman Brothers, Hampton Grease Band, Jackie Wilson, Boz Scaggs, Mother Earth and more – $1 a day!

 

piedpost
$1 a day festival -profits to the community.

 

 

 

 

 

 

 

 

 

 

delvecchio
Mother the Dog, The Delvecchio brothers and Pixie walk Piedmont.

Bell-Bottoms still came from navy surplus or friends in the navy.

 

Drum circle in Piedmont 1972. Yes , hippies came from all races.
Drum circle in Piedmont 1972. Yes , hippies came from all races.

 

 

 

 

 

 

 

 

 

 

 

buspark
The Celestial Omnibus can be seen just behind the male walking.

From The Great Speckled Bird June 28, 1971 pg. 2

NO MORE MUSIC

After July Fourth there won’t be anymore music in Piedmont Park. Steve Cole, who has been handling the music ever since the early beginnings, gave us his reasons.

First, he feels that people now come to “the Park only to do drugs, especially killer smack, and to socialize. Second, he believes there is no interest in good or different types of music—rather, people just want to hear loud, “heavy” rock. Steve was also very discouraged because there are so many people that the Park loses any of its natural advantages as a musical setting.

We spoke of how the Park had lost the community atmosphere that existed in ’69 and ’70. The strength of that time was the good interrelationships between the bands and their audience, along with the feeling that we were a community celebrating, and as was necessary in September ’69, fighting for, its culture. But things are different now. Bands play mostly for exposure or because it is one of the few chances for other musicians to hear them. Dope use has become twisted into “kicks” or escape, from its original vision as a tool for new consciousness or heightening musical awareness.

The changes have brought their karma. July Fourth The Day the Music Stops!

—moe

 

The Scattering of The Tribes

bluetaoIn the early ‘70s developers moved on the 14th street and strip areas. Most rental property left became too expensive. The cheap places were filled with folks full of most anything but peace and Love. A rash of firebombings discouraged attempts to build a more solid community presence. No city officials seemed to look too hard to solve destruction so helpful to the big boys plans for urban renewal projects. Anyone with kids or wanting a peaceful, easy feeling had to look elsewhere. 

Many People view the killing of Tree on 14th as being just after the high water mark. Read the Bird’s coverage here.

EPSON scanner image
Photo of Fifi by Bill Fibben
Read about The Death of The Strip 

   ScanImage001Flowing out from the eastern side of piedmont park, hip folks began to move into Virginia Highland and into the neighborhoods all along Ponce de leon.

Since Mr. More-Lanes wanted to pave Inman Park, Little Five Points and beyond into an expressway, ( see I-485 article) houses were rented and sold cheaply by indifferent realtors hoping to cash in before condemnation or concrete .

Who ya gonna call? RoadBusters!

Being on near direct bus routes to Georgia State and Georgia Tech, as well as the proximity of Emory, student counter culture people had already begun to inhabit cheap nooks and crannies of what could still be dangerous areas.betterlivingatlanta

The hip folks began working hardto revitalize homes and organize institutions to benefit the whole community such as the B.O.N.D. credit union to collectively finance dreams. Gradually they won the hearts and minds of the old-time residents. People worked to make somewhere to live and let live. Children arrived and people created day care projects and got involved in making good schools. the organizations created, at least in part by veterans of The Strip and the 14th street  community , are the same ones that today make atlanta’s intown neighborhoods such sought after, stimulating areas to live.

 B.O.N.D. neighborhoods                              Little Five Points               Emory village

But that “let’s build a community” with hints of “Let’s put on a show!” spirit  is still spreading joyful living to Decatur , CabbageTown, Grant Park , East Atlanta, and other areas.

Lake Claire Community Land Trust

Try to find your way back to the garden
Try to find your way back to the garden

peach&10th