All posts by Patrick Edmondson

Celebrating the 40th Anniversary of the Summer of Love by Paul Krassner

 

   realistchickActually, the Summer of Love in 1967 was born on October 6, 1966, the day that LSD became illegal.  In San Francisco, at precisely two o’clock in the afternoon, a cross-fertilization of mass protest and tribal celebration took place, as several hundred individuals simultaneously swallowed tabs of acid while the police stood by helplessly.  Internal possession was not against the law.  The CIA had originally envisioned using LSD as a means of control, but millions of young people became explorers of their own inner space.  Acid was serving as a vehicle to help deprogram themselves from a civilization of insane priorities.  The nuclear family was exploding.  Extended families were developing into an alternative society.

There had always been a spirit of counterculture, taking different forms along the way.  Just as the beats had evolved from the bohemians, the hippies were now evolving from the beats.  No longer did you have to feel like the only Martian on your block.  There were subcommunities developing across the country.  “Make love, not war” had become more than a simple slogan.  The banning of LSD also affected Bay Area underground papers.  The political Berkeley Barb got psychedelicized and the psychedelic San Francisco Oracle got politicized.  The CIA’s scenario had backfired.

The blossoming of the flower children–encompassing sex, drugs and rock’n’roll–was at its core a spiritual revolution, with religions of repression being replaced by religions of liberation, where psychotropic drugs became a sacrament, sensuality developed into exquisite forms of personal  art, and the way you lived your daily life demonstrated the heartbeat of your politics.  There was an epidemic of idealism.  Altruism became the highest form of selfishness.

Greek philosopher Socrates said, “Know thyself.”  Novelist Norman Mailer said, “Be thyself.”  And the ’60s counterculture said, “Change thyself.”  Comedian George Carlin–who had entered show biz in the late ’50s, wearing a suit and tie, performing traditional stand-up schtick–started surfing on that wave.  He reinvented himself visually–jeans, T-shirt, beard, ponytail–and acknowledges that smoking marijuana really helped him to fine-tune his material.

“My comedy changed because my life changed,” he says.  “The act followed what was going on in me.  Humor is very subjective, and what I was doing on stage didn’t match up with what was going on in my life or the country–1967 was the Summer of Love, it was the height of the cultural revolution–love, peace, free sex, all crested that summer.  Everything was changing.  I was playing big shows like Jack Paar and Ed Sullivan, but inside I was anti-authority and I hated that shit.  Parents might not have been able to relate, so I went to the kids.  I was using my act to further my ideas about the times.”

The mainstream media began to catch up with a whole new generation of pioneers traveling westward without killing a single Indian along the way.  San Francisco became the focus of this pilgrimage.  On Haight Street, runaway youngsters–refugees from their own famlies–stood outside a special tourist bus–guided by a driver “trained in sociological significance”–and they held mirrors up to the cameras pointing at them from the bus windows, so that the tourists would get photos of themselves trying to take photos of hippies.  When Time magazine decided to do a cover story on hippies, a cable to their San Francisco bureau instructed researchers to “go at the description and delineation of the subculture as if you were studying the Samoans or the Trobriand Islanders.”

This was at a time when a rumor that you could get legally high from smoking dried banana skins was eagerly spread across the country.  In San Francisco, there was a banana smoke-in, and an entrepreneur started a successful banana-powder mail-order business, charging $5 an ounce.  Agents from the Bureau of Narcotics and Dangerous Drugs headed for their own laboratory, faithfully cooking, scraping and grinding thirty pounds of bananas, following a recipe published by the underground weeklies.  For three weeks the FDA utilized apparatus that “smoked” the dried banana peels.  The Los Angeles Free Press promoted another hallucinogenic–pickled jalapeno peppers, anally inserted.  All over southern California, heads were shoving vegetables up their asses.  After I mentioned on stage that the next big drug would be FDA, sure enough, Time reported that there would be “a super-hallucinogen called FDA.”  Silly me, I thought I had made that up.

And then there was Newsweek.  Kate Coleman, who, before graduating from UC-Berkeley, was busted at a sit-in by the Free Speech Movement, got a job there in New York.

“In the summer of 1967,” she recalls, “Newsweek indirectly bought enough grass and paraphernalia to warrant a felony sentence in New York of one to 15 years.  Only three years behind the times, it was decided to do a cover story on marijuana, and naturally I was assigned to the story.  I went down to the Lower East Side’s Psychedelicatessen and purchased two beautiful water pipes, a hash pipe, roach holders, a dozen packets of cigarette papers, and a few little psychedelic toys.  What a haul!

“I also bought two ounces of Acapulco Gold and one ounce of Panama Red from my favorite exclusive downtown dealer.  Newsweek footed the whole bill without a ripple, and I got the payola of a lifetime.  But it didn’t end there.  The fact that marijuana was to be legitimized twixt the pages of Newsweek gave rise to unexpected curiosity on the part of both the senior editor and the writer of the piece, both of whom decided, independent of each other, that their respective editing and writing would lack verisimilitude unless they tried the stuff.  I was approached by people all over the magazine, asking me to get them some pot.”

A highlight of the Summer of Love for me was an acid trip at the 1967 Expo in Montreal.  I had been invited to speak at the Youth Pavilion and also to give my impressions, on Canadian TV, of the United States Pavilion, a huge geodesic dome engineered by Buckminster Fuller.  Before entering the U.S. pavilion, which was guarded by marines who had attended a special Protocol School, I ingested a 300-microgram tab of LSD.

“This pavilion is really beautiful, with all these flowing colors,” I said to the interviewer.  “You don’t see them, but I do.  There’s an interesting kind of symbolism, though.  These military men, combat marines, I don’t see that in any other pavilion, military men guiding you around, saying, ‘Yes, there’s the Little Girls room’ or ‘Would you like to touch my medals for killing Viet Cong?’  I think it’s very appropriate that we should be standing right here by the largest escalator in the western hemisphere, since my country is the greatest escalator of the war in southeast Asia….What I would like to do, as a gesture of my commitment–since I feel there’s something lacking in the American Pavilion, which is a certain recognition of the fact that the country is really split in two–since we’re a nation of symbols, I would like to indulge in a symbolic act.  I have my draft card here.”

“You’re kidding.”

“Would I kid about a thing like that?”

“It’s his draft card.”

(It was really a photostat of my draft card, since I burned one each time I was invited to speak at a college campus.)

“And I’ll hold a match here.”

“Are you sure you know what you’re doing?”

“If I may.”

“He’s burning his draft card.  How about that for a scoop, hey?”

“Now, the reason I’m doing this is, again, because we get hung up on symbols.  People will be more upset about this than about the fact that children are being burned alive in Vietnam….”

The marine lieutenant called his captain.  When the interview was finished, the captain told me it was against the law to burn my draft card.  So I took out my draft card and showed it to him.

“But he burned it,” the lieutenant insisted.  “I saw him, sir.  He burned it.”

“I burned a photostat of my draft card.  So I lied on television.  That’s not a crime.  People do it all the time.”

“It’s also against the law to make a copy of your draft card,” the captain said.

“Well, I destroyed the evidence.”

I knew that political demonstrations were barred at Expo, but I had managed to smuggle one in, along with the acid.  The interview was labeled an “incident,” and there was a heated argument between the U.S. Information Agency and the Canadian Broadcasting Company, but the incident was already on tape, so now it had become a free-speech issue.  It would be shown on TV that night and become front-page news in Montreal papers the next day.

Just as I was leaving the pavilion, a band struck up a fanfare.  I made the mistake of projecting my own feelings, and suddenly I was convinced that LSD had been sprayed into the air, that everybody was tripping, that peace and love were breaking out all over the world at that very moment.  As I was walking along, I started smiling at families and waving to them, and they were smiling at me and waving back.  But then a core of reality came to the surface, the force of my own feedback made me turn around, and I saw that those same people were now pointing at me.  What an asshole!  I still blush with embarrassment.

Now, a non-profit organization, the Council of Light, has organized a free 40th Anniversary all-day concert to be held at Golden Gate Park on September 2 “intended to not only celebrate the music, but also resonate with the consciousness raising of the ’60s as represented by eight goals chosen to receive donations and publicity from the concert.  They are: Environmental Sustainability, Relieve Poverty & Hunger, Raise Education, Promote Gender Equality, Reduce Child Mortality, Improve Maternal Health, Combat AIDS, and create a Global Partnership for Development in undeveloped nations.  Charities chosen by the Council representing these eight goals will receive all money raised beyond basic costs of the production.”

For information, check out summeroflove40th@yahoo.com.  But you don’t have to be present at the concert to celebrate this phenomenon that occurred four decades ago–an evolutionary jump in consciousness–exploding out of the blandness and repression of the Eisenhower-Nixon years.  Currently, a mass awakening, exploding out of the blandness and repression of the Bush-Cheney years, seems to be happening again.  Or is that just wishful thinking?

*   *   *I asked several folks to recollect an aspect of what the Summer of Love meant to them.

Stephen Gaskin–author of Cannabis Spirituality: When the Human Be-In of January 1967 at Golden Gate Park was conceived, it was against the background of sit-in’s and teach-in’s and was somewhat inspired by the civil rights movement.  It was like a true rumor when the word on Haight Street was that all the hippies were supposed to come out to the Polo Field and see us all together.

I walked up to that gang of hippies filling the meadow, and I had to sit down and lean against a tree as if I was coming on to acid.  While I was coming on, a mounted policeman rode up to look at the crowd and was addressed by a woman, also surveying the crowd.

She said, “Officer, my son is down there.  Help me find him.”

The officer replied, “Ma’am, everybody down there is smoking marijuana.  I can’t go down there.”

Later on, down by the stage, I saw a guy who seemed to be trying to hypnotize a young woman who was on acid by waving an incense stick in her face and rapping on her intently.  I thought he was messing with her mind and she seemed to be in trouble.  I tapped her on the shoulder to get her attention and said, “Do you need to be rescued?”

She said, with evident relief, “Yes, please!”

She and I walked over to the edge of the crowd and sat on the grass and she laid her head on my knee and finished coming on until she felt strong enough to go dig the rock and roll.

It was the first time we got to see how many of us there were.

 Stewart Brand–publisher of The Whole Earth Catalog: As I recall, it was either late in 1967 or early next year that just the torso of the lovable dope dealer Superspade was found hanging from a tree out by Ocean Beach, signalling that the Mob was taking over from the amateurs, and the high times were not over, but the luv was.

The displaced amateur dealers, now skilled entrepreneurs, took their budding business acumen elsewhere in the 1970s, starting all manner of companies, such as Whole Earth Access (same name as my Catalog, quite different people).

Roberta Price–author of Huerfano: a memoir of life in the counterculture: In the summer of 1967, between junior and senior year, I got job in London as assistant to the Young Ideas editor at British Vogue.  I was a very young 21, but nobody asked if I had any ideas.  I got sandwiches for Mandy Clapperton, the acting Young Ideas editor (the previous one was out with hepatitis).  I went for clothes at Mary Quant and peeked over the office partition as a Beatle or Mick Jagger and Marianne Faithful walked through the office.  They all seemed frail and vulnerable in person.

My U.S. friend Pam was studying in London that summer, and at night we swung through Swinging London together.  At Granny Takes a Trip, I bought a white crocheted dress that stopped a few inches below my crotch.  Pam bought dope from a young Englishmen.  We couldn’t find rolling papers, so Pam used tampon wrapper paper to roll joints, which worked.  On Carnaby Street, we bought bubble dresses for us and Nehru jackets for the guys back home.

On weekend nights we went to the UFO, which had a constant light show and a staff who sold acid.  The Liverpool Love Festival, Procul Harem, Tomorrow, the Pink Floyd, Arthur Brown, Eric Burdon and Fairport Convention played.  We danced with men but couldn’t hear their names; the flashing lights were enough to give you an epileptic fit.  The crowd was a bit international, the space was dark, flash lit, grimy, vast.

Pam and I got $79 round-trip tickets on a German student train from London to Athens.  It took three days, and all day long they piped American rock music over the sound system.  Their musical taste wasn’t as good as at the UFO.  I heard “When you go to San Francisco, be sure to wear some flowers in your hair” at least 50 times.  We danced in the aisles anyway.

In Greece, we rented a VW bug with two young Englishmen we met on the train.  We drove around for a week, camping out at Delphi on the full moon.  I was restless and dreamed of the Oracle.  She was younger than I but looked like a hippie with her ethnic leather sandals and the wreath in her hair.  She told me that after that summer, everything would be different.  I already knew it.

 Darryl Henriques–author of 50 Ways to Pave the Earth. I began my professional show business career in 1967 when I joined the San Francisco Mime Troupe, earning the princely sum of $5 a performance.  We were doing an antiwar Commedia play called The Military Lover.  The Fillmore, the Grateful Dead, Bob Dylan, the Doors, the Beatles, the Stones, the Byrds, the Animals–all of God’s creatures–you remember, don’t you?  That was the year Captain Kirk hot-rodded around the galaxy in the Starship Enterprise and Dustin Hoffman graduated with Mrs. Robinson.  Allen Ginsberg was Howling, Paul Krassner was realizing, Abbie Hoffman was freeloading, and Scoop Nisker on KSAN in San Francisco was telling everyone, “If you don’t like the news, then go out and make some of your own!”

We took the show on the road ($65 per week, a 1300% raise) and traveled across the country performing in theaters and colleges. It seemed every time we got to a college Dow Chemical had just been there, was coming there or, in the case of the University of Wisconsin, they were there.  Dow was going to colleges across the country to recruit students to assist them in the crucial task of fabricating napalm to be used in Vietnam.

Next morning we went to the demonstration at the Commerce building, and at one point someone picked up a bugle and blew the signal to charge.  The students immediately surrounded the building, and a group of them went in to conduct a peaceful sit-in.  The campus police were unable to convince the protesters to leave, so the Chancellor called in the city police who took it upon themselves to beat the students with their nightsticks and spray them with tear gas, sending 30 of them to the hospital.  It was officially the first violent protest against the peaceful protesting of the Vietnam War and Dow Chemical.

The irony was that according to the public relations director of Dow, they “could not have gotten better advertising” than student protests.  They even started a company publication called the Napalm News. Not only that, but more students signed up to be interviewed, and on many campuses it became a “badge of honor” to be interviewed.  Dow was justifiably infamous for their production of napalm, but their product that did more damage to people and the environment was Agent Orange.  It was an equal opportunity weapon since it poisoned American servicemen as well as Vietnamese peasants.  Better death through chemistry.

Little did I know how crucial it was for America to stop the Vietnamese from invading America.  But thank God, in the end we won and now the Vietnamese are busy making our running shoes and sewing our T-shirts.  You have to admit that killing over two million people to get them to make our running shoes was a bit extreme, but such are the pitfalls of the global economy.

Ken Babbs–Merry Prankster: Where were Ken Kesey and the Pranksters?  They had already gone, as Peter Coyote put it, “under the asphalt.”  The previous year, after two busts for marijuana, Kesey had faked a suicide and disappeared into Mexico, leaving me in charge of the bus and ramrodding the Acid Tests in LA which came to a screaming halt the day before LSD became illegal when the bus and the Pranksters slunk out of town and hied off to Mexico to join up with Kesey, everyone to return to the Hoo Ess Ay when Kesey gave hisself up to the FBI and was sentenced to six months in jail.

Kesey and Paige took the fall so the Pranksters could go free, reason being to keep Neal Cassady from going to trial.  He’d already been busted twice and had done two years in the Big House for two joints, and with one more conviction he’d be up for a life sentence.  In the high days of the Summer of Love, the whole fershlugglnger crew cranked up the bus and drove down to the sheriff’s honor camp to visit Kesey and Paige.  They parked in the lot next to the camp, speakers playing James Brown, Pranksters in their Day-Glo regalia, lined up at the gate to be checked in.

At the end of the day the bus pulled out, “Hit the Road, Jack” blaring, up the Bayshore into San Francisco to the Haight and a stop at 711 Ashbury to visit the Dead before they, too, got busted, the only appearance of the Pranksters in the Summer of Love carnival, and then it was back to Oregon, to gardening, building, kids in school, digging under the asphalt, deeper, joined by Kesey and Paige in the leaf-changing days of fall.

Mountain Girl–author of Primo Plant: Growing Marijuana Outdoors: Before the moon-shot, before Watergate, one summer a long long time ago, there was The Hippies.  They came to our Fair City, from every town, every place in the country, from near and far, looking for the Haight-Ashbury.  They were young, gripped with restlessness and seeking a higher  way of life.  They filled the sidewalks of the old neighborhood–looking, seeking, clutching old suitcases, barefoot and hungry, with no particular place to be.  Girls with raccoon eyes wept in the arms of boys just out of the Scouts, as hope faded for hot food and a safe place to sleep.  Exhaustion and grime settled over them, and as weeks passed, more and more came.

The local shopkeepers tried to cope, and the young stole and carried off whatever they could.  Puppies on strings and kittens stuffed in pockets accompanied the march.  The good folk were moved to give food, some helped the mob find sleeping space, but crime soared and frightened them.  The mayor of Fair City awoke in a foul mood and ordered sweeps, and the police raided freely.  Tear gas rolled over the crowded street as thousands of lives touched and found each other and eventually themselves  Music and songs from sidewalk songwriters filled the smokey air as joy spilled over and changed Fair City into Hippie Heaven.

And even today, Haight Street is filled with signs, clues, artifacts, reminders of the glory days for sale in a hundred shops.  Go there and see for yourself.

 If you don’t know Paul Krassner, read his wiki

http://en.wikipedia.org/wiki/Paul_Krassner

You can now read The Realist issues online: http://www.ep.tc/realist/

https://voices.revealdigital.com/cgi-bin/independentvoices?a=cl&cl=CL1&sp=BHGDEIJ&ai=1&e=——-en-20–1–txt-txIN—————1

realistchick

How I came to be a Hippie. BY STEPHEN GASKIN

from Feb ’94 High Times pg. 30, 33 

Well, since the editors of HT said ‘ I could have this page a few times a year. I guess I should give you a little to go on about where these opinions come from.

I guess most people don’t identify it with my hippie self, but I served with Able Company. First Battalion, Fifth Marine Regiment, in Korea in 1953 as a rifleman, a BAR man and a Fire-Team Leader, I drew combat pay and was fired on and returned fire- and carried dead and wounded friends back from no-man’s-land. I joined February 26, 1952 and was discharged on February 26, 1955.

1 went to junior college at San Bernadino Valley College and took several years getting an AA degree. But I realized I was wasting time and needed to finish school already. I went to San Francisco with new wife and baby and went to school full-time on the GI Bill, which was $135 a month with wife and kid. At that time 1 was already a latent beatnik, which only got more so during the years I went to SF State. I got my BA in 1962, and my MA in 1964. After I graduated, I taught there in creative writing and general semantics from 1964-1966,

I first began Monday Night Class in 1967 on the San Francisco State College Campus, where I had been S.I. Hayakawa’s teaching assistant. 1 happened to be the one who answered the phone when the Free Speech Movement called up from Berkeley thinking that a general semanticist would favor free speech. To my absolute astonishment. Hayakawa threw a fit  that foreshadowed the right-wing force he later became in California politics. I told the guy from Berkeley, “I’m sorry baby. He doesn’t like you.”

It wasn’t till much later that I fell in with the hippie movement myself. Some of my students came to me and all but said that they liked me and all but that I  didn’t  know what was going on. They said that they wouldn’t be able to take me more seriously until 1 did something for them, 1 wanted to be taken seriously so I asked what it was. “First,” they said, “we want you to go see A Hard Day’s Night by the Beatles.

” Well, just as they had planned, I fell in love with John Lennon, recognized the power of youth as represented by the hippies and began my path as a hippie. The times were outrageous. There were a couple of hundred thousand hippies on the streets in San Francisco. Tripping on LSD was pandemic. Sometimes it seemed as if the whole city smelled of reefer smoke. Grass was $75 a kilo, Acapulco Gold was $250 a kilo, acid was $2.50 a hit and so was rock’n’roll. Every circle of people on the street had a joint circulating around the inside.

Like many people, I got a little strange when 1 was tripping weekly. The wife of my creative writing teacher when she saw me in my first hippie garb, beads and long hair, said: “You have gone too far!”

It wasn’t that I got fired for being a hippie. It was that I got too weird to rehire at the same time my contract expired. After two years of teaching, I went across Mexico and the Yucatan peninsula to British Honduras ( now Belize) in a 1952 Volkswagen bus. The road across the Yucatan wasn’t even bulldozed, just chain-sawed and machete’d. When I returned to San Francisco, 1 got my last voluntary haircut and tried to get rehired at SF State. Something in me wasn’t serious, though, and I found myself in my job interview, spreading my coattails and curtsying as I said, “Am I square enough for you now?”

I was not rehired and I don’t blame them. It was obvious that my major interest was getting high.

When, in the normal course of getting stoned. I wanted to take counsel with fellow trippers. I went to lan Grand who headed the Experimental College. He gave me Monday night in the Gallery Lounge at San Francisco State- This was the founding of Monday Night Class in 1967. The idea was to compare notes with other trippers about tripping and the whole psychic world.  We began as 12 people, dropped to six and eventually grew into a huge meeting of as many as 1,000 or 1,500.  We left the Gallery Lounge and went to the Glide Church and then to The Straight Theater on Haight Street and then to Chet Helm’s Family Dog on the Great Highway.  We discussed love. sex, dope, God, god. war, peace, enlightenment, mind cop, free will, astrology. theology, diet, birth control and what have you all in a stoned, truthful, hippie atmosphere. We studied religion. psychology, fairy tales, legends, children’s stories, the I-Ching  and tripping.

It ‘was easy to tell  when we were onto something hot; I could see the expressions move across those thousand faces like the wind across a wheat field. It was like being inside a computer with a thousand parallel processors.

Now some people may think that I am not as religious as i used to be and it is true that on Mondays, Wednesdays and Fridays I might be an agnostic, and on Tuesday and Thursdays, a primitive animist, while partying down on Saturdays and sometimes sitting Zazen on Sundays, There is, however, something I have to say. At no time do I subscribe to any Brand Name religions.

I love the ethical teachings of most religions and I love the psychedelic testimony of their saints. I do not believe in any of their dogmas. I am a believer in free will. I am not a believer in predestination. I think a belief in prophecy robs us of 01 free will.

I think each one of us has a nonshirkable obligation to figure out the world on our own as best we can. The way we behave as result of that investigation is our real and practiced religion.

I consider myself to be an ethnic hippie. I know that the hippies were preceded by the beatniks, the bohemians, the nihilists, Rimbaud, Joyce, Voltaire and on back to Socrates, but the wave of the revolution that spoke to me was the hippies. Rock’n’roll lights my soul and gives beat to the Revolution.

I see by the watching machine that LSD is making a comeback. I find some hope in this and, I admit, some trepidation. I was called for an interview the other day and I found myself trying to explain the difference between how we felt about acid when we were the Revolution and it was fun to freak ’em out and how it felt when we were trying to hold our own civilization together here on the Farm. We didn’t take acid on the classic Farm from 1970 to 1983, and it is still not our policy on the new Farm.

I am quite concerned about the lack of good contemporary tripping instructions in this Acid Renaissance. The medical establishment is still likely to label teenagers with a temporary acid psychosis as “bipolar paranoid schizophrenics,” load the poor kids up on Haldol or Thorazine until they twitch and drool, and mark them for life with a label they will never live down. You would think that they would know by now that most LSD-stoned people dry out over a period of time and don’t need heroic measures as much as they need support and love while they re- enter ordinary life.

Pink Floyd at Symphony Hall in Atlanta

pinkfloyd by HopHead

Back in the days when I was a committee chairman at the Georgia Tech Student Center, I was buddies with all the local concert promoters … and I took full advantage of these relationships. This was long before TicketBastard came to dominate the industry. Instead of computerized sales, the promoter divvied the actual printed tickets up and delivered them to the various ticket outlets all over the city. So at each outlet, you could only select from the tickets they had on hand.

Leveraging my relationship, I’d simply stop by the promoter’s office the day before the tickets went on sale and buy them directly from him – I could pick any seats I wanted since they hadn’t been distributed yet. It’s a beautiful thing to be in a office with an entire show’s worth of tickets to pick from! Generally I’d purchase the same fifth row, left of center seats for every show at the Atlanta Municipal Auditorium.

Pink Floyd, however, was appearing at Atlanta Symphony Hall during the Meddle tour – the first-ever rock concert at Symphony Hall. I was a huge Floyd fan, ever since Umma Gumma scared me silly. I’d never been to Symphony Hall and had no idea what tickets to buy – there was no seating chart at the office since they’d never before done a show at this venue. This particular show was especially important because I was getting tickets for all my friends as well, about two rows worth. So I just took Alex’s word on what the best seats were, and walked out of his office with 10 seats in row KK and another 10 in row LL.

I had no idea where these seats were located and had some trepidation – the seat numbers were unfamiliar and I’d spent all my friends’ money – but I shouldn’t have worried. Alex had taken care of me. The whole batch of us arrived at the concert tripping our brains out – how else are you supposed to see Pink Floyd? We entered the Hall in full hippie regalia and discovered that our seats were in the direct center of the first two rows of the balcony. Whoa! The balcony in Symphony Hall swoops right down almost to the stage – we were looking right down on top of it!

Looking down from our seats we could see a huge light boom with three rows of lights resting on the floor of the stage, stretching horizontally almost the entire width of the stage. Behind it, the curtain was closed. The show began almost subliminally with the sound of a beating heart gradually increasing in volume until it was just loud enough to hear. Then the lights started to pulse red in time with the beating heart. After a moment, the band started to play from behind the curtain. Already this was show unlike anything I’d ever experienced.

The lights continued to pulse and sequence in a manner I’d never seen before, and the curtain remained down until after the first song began to segue into the next. Suddenly, the entire massive light boom began to slowly and majestically rise from the floor until it was as high as the top of the stage – the lights still pulsing rhythmically with the music. Then the curtain opened, exposing the band and their equipment for the first time. Suddenly the entire light boom rolled from the front of the stage to the back and the lights rotated from pointing to the audience to pointing down at the band. Given the special effects available today that may not seem so much, but in 1970 it was brain overload!

Later in the show we heard a helicopter approaching – an unmistakable sound to anyone who had seen news clips from Viet Nam. Louder and louder, the helicopter sounded like it had entered the hall even though we couldn’t see it. It flew directly overhead, then behind, then around the hall again. It dawned on me that Pink Floyd’s sound crew was using quadraphonic speakers – I looked behind me and, sure enough, there were giant PA speakers positioned in the back corners of the balcony. Still, I felt like I needed to duck when the helicopter flew overhead. One of the guys with me stood up screaming, flung his clothes off, and ran out of the hall. This is a band that likes to play with your mind …

Pink Floyd Part Two

Ok, so I had a wonderful, mind-bending experience the first time I saw Pink Floyd – these guys had caught me by surprise with a show unlike any I had seen before. I knew they were going to mess up my mind, and still, they did it anyway. So next time they came to Atlanta I figured I was ready for them.

This time they were playing in support of their brand new album, Dark Side of the Moon, at the old Atlanta Municipal Auditorium instead of Symphony Hall. (Could the naked, screaming guy have had something to do with that?) The Municipal Auditorium was where I’d seen most of the shows that hit Atlanta – Traffic, the Who, Mountain, Elton John, the Dead, the ABB, among many others – most of them from my regular fifth row, left of center seats.

But this time, remembering the quadraphonic experience from Symphony Hall, I decided to get creative. Instead of sitting up front, I figured I’d get the seats with the best sound. So I took out a seating chart, drew a big X on it, and determined the exact center of the floor seating. This is where I bought two rows of tickets for Floyd (since I could get seats anywhere I wanted).

Well, when we arrived for this show we were even more psychedelicized than the last time, I mean we were on a different planet! We were a little late getting there (for obvious reasons) and, although the show hadn’t started yet, the auditorium was very crowded. Rather than work my way through the crowd in my precarious state of mind, I decided to ask an usher for help. Now I’m a tall guy – I seldom have to look up at anyone and when I do, it tends to make me a little uncomfortable. So when the usher told me to wait and came back with a guy about a foot – a foot! – taller than me, I was discombobulated to say the least. Then this giant of a man looks down on me and says in a voice I’ll never forget, a basso profundo not unlike Lurch the butler, “Come. With. Me.”

Yikes! The show hadn’t even begun yet and already the mind games had started. Lurch led us right past the rows I’d purchased, all the way to the front of the auditorium. I freaked when we went by the seats I knew were ours – I had no clue what could be happening. Turns out the soundman for Floyd had done the same thing I’d done – he’d drawn an X on the floor plan and situated his soundboard in the exact spot I’d selected for our tickets. In order to accommodate the missing seats, they had set up two rows of rickety, wooden folding chairs in the space between the front row and the stage. We were all seated, crammed together within touching distance of the stage.

Oh glory! The show started and Floyd proceeded to blow our minds. There were three black chicks doing back-up vocals all wearing sequined dresses. Each girl was wearing a different colored wig in bright neon red, blue and green. A guy wearing a gorilla suit cavorted across the stage, climbed some scaffolding, and began swinging on a rope from the balcony. Another guy dressed like the Mad Hatter walked down the aisle through the audience on stilts. When he reached the stage, he took one giant step up and started walking around the musicians. They ignored him as if he wasn’t there. Same with the gorilla. This is all happening right in front of us. No other concert experience had ever prepared me for this. The music was incredible and our minds were unlimbered from reality.

My buddy Jim was seated right next to me and was white-knuckled, grabbing the arms of his chair. Later he told me he thought he’d been kidnapped by aliens, for real. I can understand why. A truly unforgettable concert experience.

hey – it was such a meaningful time for all of us…

hey it was1hey – it was such a meaningful time for all of us…here’s my two cents to help flesh out the story….

growing up in East Point, graduating in ’64, I had gone to college in NY but spent the year in Manhattan, drawn by concerts at the Apollo and the civil rights marches – and exploring the new world of open sexuality, which was unheard of in high school – it was a way, we felt, of really getting to know someone, of touching soul to soul…a connection with ‘Others’ that had never been a possibility before…

when I came home I became pregnant, despite every effort not to, and married my high school sweetheart who was just back from Vietnam, went to south Georgia for his year of college and then tried to settle down in S. Fulton – it was 1967 and every fiber of my being was screaming to be free – causing a holocaust of heartache and karma that I’m still feeling the effects of – I tore away and rented a tiny apartment on 13th Street, where I smoked pot and sang along with Janis Joplin records constantly, while waiting for a scorpio boyfriend who rarely showed up…meantime, I sewed fringe on my jeans, and made a skirt out of another pair… I’d walk up to the Strip and just Be there, letting experiences happen…we’d sit with our backs up against the storefronts, sharing buzzes and watching the gawkers with their car doors locked streaming by – we’d smile, marveling how we’d once been in that world but were now in a new one…

the music had so much to do with altering our vibration, working with our DNA…we lived and breathed in it…..the acid trips seared it into us…a spaceship that emptied us into other worlds we’d never known existed that we were now free to explore…the warm, wasted Hampton/Allman Brothers concerts in the beautiful Park were the ultimate sense pleasure and profound experience of dissolved boundaries…for a period of years, even after I’d moved out of the area, I’d sit up in the big magnolia trees and groove on the Piedmont Park scene…

we loved the clothes at the Merry-Go-Round on the Strip, where as the producer’s executive assistant I bought some costumes for the motorcycle movie “J.C.” that we were filming locally – I still have the long fringed vest and some paisley flared Levi’s…

we felt so backwards and deprived, knowing the real ‘action’  was on the West Coast, and not being able to get to Woodstock…I heard about the real hip places in Atlanta, but never seemed to belong to the most ‘in’ crowd anymore than I had anywhere else – but there were Jimi Hendrix and others at the Municipal Auditorium, and I still have my program from the Pop Festival at Byron, where we were cooked in a hot stewing pot of bliss and misery and made One…we were wet, hot or hungry, or all three – we had money trouble, family trouble, car trouble, housing trouble, bad trips, exploitation, and people leaving us stranded in strange places, like the ever-weird Cobb County – we had a ‘mind-blowing’ time at the Grand Funk concert at Lake Spivey, but no way to get home – we had ‘crabs’ and depression and bewilderment – and we came into our realization that the visible world isn’t all there is, that we are one with everything, and we are incomprehensibly creative….

after all these years I remember the profound tenderness of a one-night stand with Bill Fibben, of the Great Speckled Bird – of so many other encounters – the cosmic love we experienced and expressed is still awakened and active deep in our cells – it formed deep commitment, and we went to work with it, rolling out in the civil rights movement, the feminist movement, in empowerments of every kind, in changes to every civic structure…this realized Love went into everything – in the 80’s numbing echo of the 50’s we’d hear people say the hippies were all gone, they’d sensibly sold out to better-paying jobs…but we hadn’t really – those who weren’t as radical did go corporate, but didn’t lose all their realizations, and now at retirement age they’re even visible again in the conscious, progressive activities of our time – some of us stayed high and even after we ‘cleaned-up’, never did go back to the ‘muggle’ world – we’ve continued with our ‘back-to-the-land’ simple living ways, we’ve become healers and artists, gardeners, musicians, helpers and  teachers of various sorts….

I’m in the mountains now – my daughter survived both my neglect and my repentance and we’re very close, both committed to Peace…I’m deep into multi-faith spirituality, healing, singing, chanting and dancing, and finally learning to interface with matter better, to make an honest living sharing gifts of cosmic-conscious life with those who missed the days of revolution and transformation that changed the world in that seminal evolutionary moment experienced in Atlanta on the Strip………heyitwas2

Peace, ya’ll………………love Carol

Schroder’s Magic Tent

From left to right: Lance, Mark Goodfriend, Schroeder, Lee Shannon & Stevie Parker.schroders tent

The tent on the right has quite a history of it’s own. It came from a Sears’ store in Denton, TX. Renée & I rode with John Ivey to the Dallas Pop Festival, Labor Day of ’69. We arrived a week or so before it started and needed a place to stay. I’m an Eagle Scout and had no problem with tents, so off we go to the closest Sears’ store to buy the biggest tent they had in stock. The Hog Farm needed a few things, so this guy we called Beethoven, dressed in an orange jumpsuit with beads and a stovepipe hat went with us.

We were quite a sight at the neighborhood mall in Denton. Beethoven found the toy department and proceeds to buy handfuls of less than a dollar toys and gives them away to every child or adult that would take one. By the time he meets up with me in sporting goods he looks like the pied piper with all the people following him around. including security guards. We must have drawn every guard in the store. I was glad to get out of there.

Put the tent up back stage and enjoyed the privileges of shade and almost seclusion in the midst of chaos and the Texas sun. Maybe 75% of the performers shared the tent and refreshments with us, more than I can name or remember. Each musician is a separate story. Maybe more another day….

Brought that tent back to Atlanta, used it in one more Pop Festival, as shown in picture and managed to keep it and use it for 36 years. A lot of camping trips, lot of fishing, lot of family time. Renée and I have three children. All of them learned to play cards in that tent during rainy weather. Good memories.

Eddie the Road Manager

Holy Crow where do I start? Just out of high school 1967… Band I was road manager for had a gig at “The Pink Pussy Cat” across from the Atlanta Cabana…didn’t this later become Funocio’s?

One of the waitresses asked us if we wanted to go to a coffee house that was open all night. Yep, took us to the  infamous “Catacombs” where many a man and woman were able to find a life to suite their style, or a style to suit their life, whatever.

The town in North Carolina I am from, was, as you can guess, about as unhip as they came…beach music, Madras, Weejuns and princess collars. Pembroke University (a little south) had started attracting all these yankees who were I guess, doin’ good in the first 2 years of college in this podunk town so they could move on to glory in a “better” yankee college.  It was a lucky thing, that one of their frats had their house about 2 blocks from my house in Lumberton because I became welcome there and found all this great subversive literature that would probably get me killed. It was great, I would spend days reading Eye Magazine, “The Realist”…it was like a library.  So, when I got to the Catacombs that summer night, I knew Atlanta was going to be my home from now on. I basically took the crap i’d brought with me and moved it to the waitresses and her girlfriends apt. (the girlfriends name was Dale and please i’m sorry but i can’t remember the waitresses name for the life of me.) These 2 ladies were from Fla. and pretty much showed me the ropes. Another guy john landau, also from Fla. was there also and we begun to hang. This had to be in June ’cause I remember seeing Bob Hope in the Independence day parade.

My main form of transportation back then was walking, and walk I did. There was no free food or diggers back then, I learned to panhandle and there was always the girls who wanted to mother you a bit and would bring you a Zesto’s or something to take away that hunger headache…Right now, thank all of ya’ll for your kindness and friendship. I wish I could call you each by name but i can’t…  There was no strip back then, there was a wall across the street from the 14th street art gallery (above the catacombs) where people would start to gather mostly in the early evening.

Hey ya’ll remember that near riot we had one night when this runaway chick named “Nicki” had this big to do in front of the hippies and the cops got called and the hippies were not gonna let Nicki be taken home against her will (she wasn’t ). It was wild everybody in the street and about 3 poor cops against about 150 kids.

Well since I got to the scene as a road manager for a band my nickname became Eddie The Road Manager (hey Darrel!! read yer thang) To clear up one thing, Jim Neiman was not “Nasty Lord John” that would be John Meeks who I shared an apt. and later a really cool house with. John also worked at the Scene, the hotspot, go daddy nightclub i couldn’t get into because i was only 17. John played live drums along with records the dejay would play…supposedly VEDDY English!!

Awrite, ’nuff history for now…I see shows on tv and shit that call that period of time turbulent and dangerous…and I guess it was BUT i had the most fun allowed a human being back then. I had some uncanniy ability to sense trouble brewin’ and remove myself from the said action….i really was and still am a pacifast…i spent the first piedmont park riot in a bare tree with a gram of hash watching these idiots fight with the police. My idea was to have as much fun, get as high, laid and help folks as much as possible. So I’m not perfect and don’t claim to be.

Here are some of the cooler things I Remember (not in particular order, will try to give at least year or corresponding event.

THE FIRST TIME I SAW THE ALLMAN BROS.

I was working in Mu records in Atlantis rising. My old friend Richard Galwin (sp) and I were walking in the park anticipating free music that week end when Richard asked me if i’d ever heard the Allman Bros. and for some goofy stoned reason I thought of the Wilburn Bros. I didn’t realize at the time the power that was lyin’ around and didn’t think the free music would be more than a few local bands and a small headliner. I used my “working at atlantis rising” vibe to get myself and a friend on the stage crew for that Sunday.

I remember a two-toned stage on wheels from Atlanta parks and recreation and a couple of rednecks there to watch it. We were kinda jerkin’ around when I saw Berry Oakly (who had lived next to me and john on 14th street about a year earlier). We talked and he told me about his band the ABB and i began to suspect I was in for more than just some fun. We began to stop jerkin’ around and become more fluid with instructions from various road managers and dicks in charge of the world when (i really think it was Schroder) one of the “Big Dealers” came by and laid a jar of orange juice on the stage crew. Yep you got it dose a rama….wa hoo! we were now past fluid now we were oozing, silent mind controlling cymbal stands to assemble themselves, brain waves communicating…we were baked, trippin’ stoned…we were the Stage Crew and had no fear.

Back then the Bros. would set their equipment up first, at the back of the stage, allowing room for the other bands to set up and play. and they would do Mtn. Jam to warm up…sound check…all of a sudden, Richard….remember Richard? boy i sure do, hope yer still around little buddy. Richard grabs me and (so excited ” the Allman Brothers are gonna play”) Richard grabs me and pulls me off the stage and there we sit 6 feet away from Duane and 8 feet from Greg…and they start Mtn. Jam…I would like to have a film of my face as they played that song, just to watch the changes I went through….changed my life…one thing I still remember thinking was how good it would be to be the wood in the body of Duane’s guitar.

After that came band after band of Excellent music…the Booger Band was killer…being on stage and feeling their music even through your feet was amazing. I remember my friend Steve Cooke, who had been into the orange juice  too, offering the organ player a toke of a large joint right on stage between songs….freaked the poor guy out. Long day of movin’ equipment, smoking, watching beautiful Georgia peaches dancing and swinging from the trees, frisbee trails everywhere, like some miniature space port…did I say space port? Every where you looked, smiles, happiness, friends, allman brother talkin’ to old friend…dicky betts did not put his gold les paul down that I saw…good vibes, curious straights, students, winos, little children teaching big children how to play…ABB came back after dark and played until past time to quit. Everybody cleaned up the joint, we all went home and had sweet dreams………

to be cont. (I hope)

Eddie the road manager

Eddie the road manager2

Hello boys and girls, grampas and mee-maws. Its your ole fiend Eddie the Road Manager with some more rambleings ’bout when I had some of the best times of my life in the Hippie community in good ole Atlanta.

Ya’ll remember The Fruit Jungle? I spent many late nights food tripping in that place. One thing cool…for a while there was an older dude probably in his late 40’s working there late shift, and I had been told that if you were broke, slip the dude a joint and he wouldn’t charge you. I had to try this and with a little paranoia on my part slipped the man two joints to pay for soda, cake and cigs…WOW!!! the cat smiled at me wiggled his eyebrows and said have a nice nite. After this, I would always bring him a “present” even if I wuz paying…unfortunatly he didn’t last too long there.

This ones a hoot…I know there has to be folks who remember this happening. In the rear of Atlantis Rising was a large dirt parking lot where folks started hanging out doing what we did back then. My friend Jimmy Smith and I were walking down a side street going to the parking lot when all of a sudden! Man all the cops you ever wanted to see were screeching and motorcycling and sireening to the parking lot…scared us to death!! I mean we thought it was the inquisition-final last round up-death to the beholder and then some come at last. Being prudent and not half dumb hippies he and I found a nice little hidey hole and hid our stashes and went to investigate. Not 10 minutes after the big cop-o-rama drama cops began leaving the area…swear to god 2 different motorcycle dudes shot us the peace sign!! Others were waving and smiling as they left…strange mo-pocky…we found out latter there was a beat cop in the area and was in the parking lot being pretty friendly with everybody and a couple of guys hanging out thougth it might be fun to dose this cop. They got a very pretty lady to offer the cop an iced cold coke with a hit of acid in it. What caused the big cop infestation was the poor guy was having so much FUN he forgot to call in on his radio and let the big cop on the radio know all was well. As I remember, the tripping policeman stayed with us for a few hours…I guess the cops thought we could take care of him….wonder where he wound up…..

Another fond memory of mine was the Turkey Trip in the ballroom of that hotel across from the Fox. I saw the poster for it, but I only remember the ABB playing that night. I had a friend who was new to atlanta and had never seen the allmans…so I somehow arranged to get him on the stage crew and buy him a hit or orange barrel. the first time I saw the ABB i was tripping my a** off so this would be a good way for Acey to see them (see previous post)…it was fun watching every body bumping around and trying to maintain while moving various mysterious pieces of musical equipment….sometime during the show, the Brothers were in a particularly intense jam and this weird guy jumped out of the audience and started wailing on Duane’s microphone…he was doing some pretty good lead singer moves but the mike was turned off…what was cool was no one jumped on the guy or tried to bounce him off the stage, Kim Payne Allman Bros. road manager just reached up and turned the mike on. This scared the shit out of leadsinger man to hear himself at volume and he kinda slunk back in to the audience.

First real concert I saw was the Dave Clark 5 in the auditorium…went to Atlanta Cabana and oggled them for a while.

Place I stayed for quite a while was wonderful. An apartment in an old house about block and a half from Catacombs…pot-ment was one of 3 in this house and Berry Oakley and Mike Callahan lived there for a while…Berry had just come off a tour with Tommy Roe and was just hanging…he used to get me stoned and teach me progressions on the guitar so he could practice bass lines…I was awful but it was fun. Our ‘potment was close enough to the strip where alot of times I would just put on some tunes turn um up and sit on the front porch and meet bunches of people…so cool.

Almost every memory I have about those days are positive and truly fun. There were times when a friend would get busted or in trouble and that would be a drag. I was stopped once driving and didn’t have my wallet on me so I was guilty of driving without a license…withno ID the good ole DeKalb county po lice called a PADDY WAGON!! and hauled me down to the city jail…bummer…I actually met these great black dudes whome I played checkers with at a quarter a game. I didn’t have to try very hard to lose but I made sure to. So these guys could buy cigaretts & shit. One bummer was there was a thing with music in the park that day and my friends who could get me out did not know i was busted untill Jim Neiman was doing his set and dedicated a song to “Eddie the road manager in the clink”. Man!! do you think i was lucky or what? I think I was very lucky at that time in history to go to the Atlanta city jail and come out smiling…..whew!!

I’ll try to add to this as time goes on…shoot I’m 59 years old memory ain’t what it used to be. I do miss all the friends I made back then…some of the best friends i’ve ever had…having some of the best times WE ever had. Now a days when i see the news and all the crap thats happening in the world and around the town i live in, I realize how very lucky we were to grow up in such turbulent times (LOL).

peace and happiness, eddie

 

Hippies Plague the Women’s Club!

http://www.gpb.org/media/pdf/peachtreestreet.pdf

IN THE LATE 1960S AND EARLY 1970S, THE MEMBERS FACED A VERY  DIFFERENT PROBLEM – A PLAGUE OF HIPPIES. 

 Jim Auchmutey #31   [08:16:57:00]   The strip was that area up around Peachtree and 10th street that was uh the south’s little version of Haight Ashbury.  And uh I remember going down during the summer of 1970 when I was not quite 15 years old.  And it was the first time I’d ever let my hair grow over – I had hair – I’d ever let my hair grow over my ears.  (08:17:16:00)   (08:17:26:00) The streets would just be crawling with folks.  I mean, there, there was a real happening place then.  And Margaret Mitchell’s old neighborhood had become hippie.  And uh I’d buy bootleg records down there and blacklight  posters.

 [08:17:38:00]   (08:18:50:00)  And a lot of people who had – who were probably appalled by hippies, were coming down there uh the traffic used to be backed up on Peachtree for miles uh with folks from the burbs coming in to look at all these people, you know.  That was, that was what everybody was talking about back then, so everybody wanted to come down and see it.  It was like the big cruising scene. 

(08;19;11) 

NARRATION:    THE MEMBERS OF THE ATLANTA WOMAN’S CLUB HUNKERED DOWN AND TRIED TO IGNORE THE HIPPIES SLEEPING ON THEIR PORCH.  IT WOULD PROVE TO BE A SHORT-LIVED PHENOMENON.    MIDTOWN WAS ABOUT TO SHAKE OFF ITS SLEEPY POST-WAR LOOK TO BECOME ATLANTA’S SECOND BUSINESS CENTER  AND ITS CULTURAL CENTER.  

 THE ARTS WERE BEGINNING TO FLOURISH IN THE NEW MEMORIAL ARTS CENTER, DEDICATED IN 1968 TO THE MEMORY OF 106 ATLANTA ARTS PATRONS WHO DIED IN A 1962 PLANE CRASH IN ORLY, FRANCE.  HERE THE SYMPHONY, THE HIGH MUSEUM OF ART, THE ATLANTA COLLEGE OF ART AND THE ALLIANCE THEATER ALL HAD ROOM TO GROW.   IN 1982 THE CENTER WAS RENAMED THE ROBERT W. WOODRUFF ARTS CENTER ON THE 

93RD BIRTHDAY OF THE COCA COLA MAGNATE, WHO HAD BY THEN GIVEN IT ABOUT $50 MILLION.     THE NEXT YEAR, THE HIGH MUSEUM MOVED INTO A NEW SIGNATURE BUILDING NEXT DOOR.  TODAY THE WOODRUFF ARTS MUSEUM.

Beat Zen Guru

Issue_07mesc

Oxford College was a step forward from Tift County’s time warp, but not by much. I stepped in to a world desperately clinging to antiquated rah-rah week starting with Freshman Hell Week, definitely another story. Luckily for me there were a few left over beatnik, proto-hippies among the entering freshman and among rising sophomores, the rulers of the insular world of Oxford isolated from the main campus and retaining some rules from another century. One being that the town literally closed about 7:30. Even the stoplight was turned to blink. A college student had nowhere to go on nights the snack bar wasn’t open. Women had to be signed in and out after 6. They had only recently won the right to sign themselves out for a weekend. Formerly a parent had to be responsible. Men were free to roam, but only sophomores could have a car and they were suppose to be kept in a controlled lot. Lucky people had an outside source of escape.

 

On weekends I was rescued by Pixie Ujhelyi  or someone she had sent in the faithful turquoise dart, another story. During the week I was imprisoned, so I was very happy when Jan Jackson, quintessential daffy hippie chick, said her boyfriend Martin about whom I had heard so much, was actually coming tonight and we could all ride somewhere for food and hangout. Well that meant riding to the Huddle House in Conyers since it was all that was that was open on Monday nights except filling stations for about fifty miles.

 

I got money and was headed to the girl’s dorm when this wiry little guy came out of the shadow. “Hey hippie, where you goin’?” He had a wide, smug grin and looked like a brown haired greaser gnome moving with angular lope.

 

Spider sense tingling. I had lived this scenario, where are his buddies hiding? But he grinned and laughed then walked back in the shadows. I raced to find Jan and my friends.

 

When I told her what had happened, she got a twinkle in her eye and said, “Meet my boyfriend Martin!” and the wiry guy again stepped out of the shadows laughing to himself.

 

“You hippies ready to ride for some chow?” With that, six clambered into his VW bus to go for coffee and sandwiches and a jukebox.

 

This was my introduction to Martin who was to become my beatnik hippie guru.

 

Shortly after, on a weekend Pixie had come for me, but would be unavailable to give me a ride back from her apartment near Oglethorpe. Calling around Oxford students I knew to be in Atlanta, I got Jan at Harvey’s house on 14th. She said Martin was taking her back and they’d come get me.

 

Gabi and I were sitting around the living room, where we had begun sharing one sleeping bag, much to the stern displeasure of her mother who stayed upstairs with Pixie in the one bedroom, which featured an opening so you could overlook, and overhear, everything that happened down below in the living room in a single sleeping bag at night. The thought that her mother was just above us listening was almost enough to extinguish the lust of two eighteen year olds in love. Almost enough,  Mrs. Ujhelyi wasn’t overly fond of this guy that came on weekends to extensively make love to her daughter.

 

There came a knock at the apartment door and in breezed Martin followed by Jan and two others talking and in a great mood. Martin sat at the table and pulled out a workmen’s lunchbox with a curved top. Jan had said he was always hungry. He was crumbling up some sort of relish and rolling cigarettes. Ohmigod, he’s got marijuana and Mrs. Ujhelyi is just up there and can see us! I realized with a shock.

 

Gabi saw my alarm and shrugged and smiled. Soon we were passing around the joints. Pixie acted shocked but made sure she got some good hits. My first time smoking and I was getting very high, but didn’t know it. Martin was a great guide to both of us about what was happening in my mind.  He was a bridge to the lingo of the beatniks, which strangely was suddenly not strange.

 

Bidding Gabi and Pixie an altered goodbye. We piled into Martin’s blue VW bus Ol’ Baby and were off down the length of Peachtree to catch I-20 at the capitol. The lights of traffic were a phantasm to my newly stoned mind. The trip back to Oxford lasted a joyful eternity with Martin giving his own Casady style rap on life as he drove. Jan added comments both sardonic and hilarious. Oh what a ride.

 

Oasis in Space

http://oasisinspace.spaces.live.com/

Driftin towards shiftin has its ups and downs detailed by Karen at www.whatsuponplanetearth.com (last 2 energy alerts) and I’m right there with those( the clunky parts). Here in 3D, I’ve had some serendipitous coincidences. Was (last gasp) trying to (once again) transcribe my book ( Manic-Depressive Tours) from notebooks to computer (daunting/what’s the point?) when RB sent me a blog link by a fellow Atlantean http://subgeniusslack.blogdrive.com  and it’s quite invigorating TSTL… especially the Byron Pop fest link (chapter on that in MDT) and the www.messyoptics.com has lots of pics of old friends too numerous to mention here BUT, the one of Norris at 15th street and the caption  inspires me to share part of that chapter:

I met Archie while I  was living at the “Chakra commune” of 15th Street in Atlanta. I moved there with some Chakra band members after returning from their Texas tour.  (Later on that story).This one-block neighborhood between the High Museum of Art and West Peachtree St. was a menage of lovely, forested* old Victorians housing- an esoteric mix of hippie communes with a spiritual bent.  On our immediate left were Krishnas, next to them The Children of God (hippie Christians), on our right Meher Babas, across the street The Theosophicals, ours was loosely TM-ers.  In the other houses and mixed in with all these were artists, musicians, actors and techies at the Museum.  Each house seemed to have a band. We’d often just close the block to have “battle of the bands” parties or jams.

After Texas and the wild events that led up to me landing on that bus, I was glad to be back in Hotlanta but feeling a bit disjointed though I loved this house and its illustrious inhabitants:

Through the screened porch and the ornate oval-glass door was the living room on left-home of Duckworth- artist, actor, street-theater magician and set designer at the Museum theater .Witty, wirey small but a ready spring of energy expressed in his head of dark spiral-coiled hair. He had a bunk bed in corner curtained by a billowing parachute tacked up here and there by his collection of oddities and works of art.

On the right a step up led to the room of Norris, black conga drummer in Chakra- his park attire colorful harem pants, rarely any shirt or shoes, a brilliant scarf on head turban style. He’s a most agile yogarian-full of generous joy and humor.

Next room on right housed Ted Levine, white drummer with a most amazing afro, his dark brows, piercingly intelligent, observant, amused eyes lit up his angular face. He had a picky, precise adherence to his monkish environment, diet and yoga/meditations routines which is why we moved to separate rooms as soon as we got back from Texas.

Remaining on right, next room housed 2 sweet dancer actresses/artist/jewelers whose names I forget as they were rarely there.

Across from them Jimmy Godwin, laughing  Chakra guitar man. An excellent player-he had long, strawberry-blond hair and an effervescent personality.

Working back up the hall, the large kitchen, our only communal space (other than the porches and half of the living room). We shared our macrobiotic meals there and other interactions. It had lots of aqua-blue open cabinets, butcher block counter tops, a great big gas stove and a large farm table-a cheerful, vibrant room.

My room was next up in what should have been the dining room.  It had only one window but the built in buffet and shelves above housed my collection of books, trinkets, autoharp, zither and dulcimer.  Only room for a single bed (which suited me as well-only room for me). My treasure was a beautiful old quilt I’d found at a funky antique store. It had silken and velvet patches that were embroidered and joined by colorful, decorative stiches. It was in wonderful condition and I was so enchanted by it. I wanted to know its history. …..and blah blah blah… (& that’s a whole other story).  …

(The turretted/balconied 2nd floor had it’s own cast of colorful characters…later on that -in MDT, not here)