All posts by Patrick Edmondson

The Castle – Golden Horn

http://ethunter1.blogspot.com/2006/08/golden-horn-revisited.html

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SUNDAY, AUGUST 27, 2006

The Golden Horn – Revisited

the castlehorn

 

 

 

 

Photo by Rocky Hunter

This morning we were looking at the pictures on Rocky’s blog he took in and around the High Museum in Atlanta yesterday.

 

When the above house materialized Anna asked wasn’t that where I went to the Beatnik Coffee House when I was a teenager. It took me a second to refocus on it, because the front door and big window have been replaced by a double set of garage doors – but that is it!

 

On March 29, 2006, I wrote a blog entry on our beatnik experience in a coffee house that was there on the sidewalk level of that building and how I almost became a slab of meat in their cooler in 1959 or 1960. Back then it was called “The Golden Horn”

http://www.uer.ca/forum_showthread_archive.asp?threadid=46237

http://www.bloglanta.com/archives/date/2005/12

Is it a house, fort or castle?

Monday, December 5th, 2005

It’s all three, actually, depending on who you ask. Perched atop a hill on Fifteenth Street, just off of Peachtree Street, and facing the Woodruff Arts Center is a strange complex that puzzles each new passerby. Former Mayor Andrew Young referred to it as a “hunk of junk” and was scheduled for demolition in the 1980s until preservationists ultimately saved it. In 1989, it was designated a landmark by the city.

The “hunk of junk” was originally a retirement home for Ferdinand McMillan, Confederate veteran and co-founder of the McMillan & Avery firm, dealers in agricultural machinery. McMillan designed it himself and construction was completed in 1910. Residing with his wife and niece, McMillan dubbed it Fort Peace and lived there until his death in 1920. Viewing the interior of the house during McMillan’s stay would be interesting, but it is the exterior, still mostly intact, that is unique.

Michael Rose, in his book “Atlanta: Then and Now”(I’ve referenced this book before and if you don’t have a copy, put it on your Christmas list) notes that the house reflects the eccentricities of McMillan, built on a solid, two-story Stone Mountain granite base (judging by the capitalization, I assume that the granite for the base may come from Stone Mountain), canon openings and a Chinese turret. The house is built in the Victorian style that characterized mansions and homes in the area (most now gone) of the same period.

McMillan was a friend and one-time neighbor of Joel Chandler Harris, author of the “Uncle Remus” stories. According to atlantaga.gov, two niches in the second story façade and another niche below those contained small marble rabbits, the “Uncle Remus spring,” drinking fountain for pedestrians passing by, and other carved replicas of characters associated with Uncle Remus.

The position of the house allowed McMillan to maintain a large garden. Aside from his interest in gardening, McMillan had a great interest in inventing, according to atlantaga.gov. He reportedly designed one of the region’s first cottonseed oil presses, “the suction system for gins,” as well as the sub-irrigation system for his garden. With all of the unique features, McMillan said his basic intention was “to get as high into the air as I could, and there to build me a country home in the city.”

The surrounding four homes in the area were acquired by the Art Association and eventually demolished in the 1950s and ‘60s as the museum of art complex expanded. McMillan’s dream house remained, was dubbed “The Castle” and was inhabited by the burgeoning artistic community. From the end of World War II through the 1970s, Hazel Butler Roy owned the home and opened it to the artistic community. Various individual artists and performing arts groups rented rooms, lived, worked and played in the house. There was even a restaurant inside called the Carriage Room Restaurant.

Today, the towering skyscrapers of Midtown dwarf the house. Atlantaga.gov reports that AT&T plans to use the house for its Promenade project (I was unable to find specific details on this project after searching the Web. Anyone who knows more, feel free to share.). Aside from the significant architecture, The Castle remains a monument to the early Atlanta artistic community and a reminder of the four Peachtree Street homes demolished to make way for the Woodruff Arts Museum and the newly expanded High Museum of Art that we know and that it now overlooks.

Posted in Looking at the Past | 6 Comments »

kathy thompson Says:

July 7th, 2006 at 10:56 pm

What do you know about a building called “The castle” adjacent to the High Museum? I once lived in the Church’s Home next to it (1966). In 1969 I considered renting the apartment at the top and met the owner. In the end I chickened out since those who rented the studios did not spend nights there. I am saddened that it remailns abondoned.
Dr. Kathleen Thompson
Blue Ridge GA

http://ethunter1.blogspot.com/2006/03/beatniks-and-golden-horn.html

WEDNESDAY, MARCH 29, 2006

Beatniks and The Golden Horn

Back in either 1959 or 1960 my friend Monty called me and wanted to know if I wanted to go to a Beatnik coffee house in Atlanta. “Beatnik coffee house?” I said. I wasn’t keen on going out on a school night when it was going to something I knew nothing about – in some of our misadventures back then when we went to a place we knew nothing about we suddenly had to scatter or suffer some consequences, and I was afraid this might be the case this time, and Atlanta is/was a long way away for a school night.

Neither of us knew anything about beatniks or coffee houses. From TV we figured the males were bearded, wore berets and the females had long straight hair and wore black stockings. In the coffee houses we knew from TV all they did was hang around zonked on opium or espresso coffee and recited beat poetry. The most important lure for us was that we thought the females in their black stockings were all opened minded and all for free love….. which is just what a teenage boy would want.

So Monty, I, and two more friends headed to Atlanta in Month’s mother’s Volvo PV544 on a dark foggy night.

The place we were looking for was The Golden Horn on 15th Street. We found it without any problem. The Golden Horn was located on the street level floor of an granite building that was a three story apartment building, each level above street level had a porch or patio. It was across the street from the High Museum which was also known as the Atlanta Art Museum. The museum was facing Peachtree Street, but the side of it was along side 15th Street.

Monty parked the car down the street about a block, you never know if what might happen that we would have to leave suddenly.

We went in. To the left was a table full of tasty looking cakes, and behind that was a bar that did the serving of beverages. A lean lady with long black hair and black stockings came up and asked us did we want a seat and we said we did. Yep, she was just what we expected.

The room was not that large. Maybe 10 or 15 tables in a dim lit room. On the far end was a small low stage. We sat down and expected someone to come out on stage and play some bongo drums or maybe recite poetry, or whatever beatniks do.

The people at the other tables seemed quiet, chatting among themselves. I would guess they were college students, Georgia Tech was only a few blocks away.

The dame with the long black straight hair and black stockings asked what did want and we said coffee. This is a coffee house – right? She brought back four coffees and our bill.

A man in white skin tight leotards and a unicorn head climb up on stage and music was played… it was flute music. The man with the unicorn head starting lightly dancing, at times it was like a ballet because he would leap and tip toe and piloret…. all this to classical flute music.

We were not music appreciators by any means. Any thing musical we like was on the top 40 radio stations. Our minds had not yet matured to appreciate good music or interpretive dancing.

Monty would later become a disc jockey.

Our whispering conversation went something like this: “Good god! We came all way down here to see this shit?”

“Is this a queer joint?”

“No, there is a couple of girls here.”

“How much is the bill? Lets pay and get the hell out of here!”

“Damn! It is sixteen dollars!”

“Sixteen dollars?”

“yes – that coffee must cost $4 a cup.”

“Shit! Now what?”

The thing is, we didn’t have $16 between us. We had something like $3 and some change.

So, we made plans. While we were whispering making our plans the woman brought another round of coffees and added it to the bill.

The table with the cakes were on a table, just a leap from the front door. We decided we would get up and stand over the cakes as if we were planning on which cake to pick out and run out the door the first chance we got.

All four of us got up, went over to the table and stood there looking at the cakes. The wench with the long straight hair came up to watch us. To make it look like we were dead serious on picking out a cake I put my hand out, finger extended and said, “Hmmm Lets see….”

She interrupted me by putting a sharp butcher knife up to my face and say, “Touch a cake and off goes your finger honey!”

I let out a nervous laugh.

The bitch said, “You think I’m joking!” and jabbed the knife in midair within inches of my stomach. I backed up.

She jabbed at me again and I backed up some more….. how in the heck did I find myself in this mess? I thought.

About that time the door slammed and we both looked at the door. We could see my three friends heads bobble by the window as they were running.

Now she was mad. She jabbed again and I turned around and ran. Somehow to get away from her knife tricks I found myself on the stage with the unicorn, then she joined us. People in the audience were laughing. I jumped off the stage with her behind me swiping at me.

This time the door was in front of me and she was in the back of me. I opened the door and ran out and ran down towards the car, but I was running scared and caught up with them before they reached it.

We all had a good laugh when I told them what happened and we all climbed into the car. Monty said, “I lost my wallet.”

“What did you do with it?”

“I had it out when we were counting our money. I must have dropped it on the floor.”

“Let it go, the dollar you had in there isn’t worth it.”

“I an’t leaving without my wallet. My phony driving license is in there, do you know how long it took me to draw the Seal of Georgia on that thing?”

Me: “I’m not going back in there for anything.”

We agreed the other three would go back in and demand the wallet back and I would be out side with the Volvo running, and as soon as they ran out they would hop in and away we would go – back home.

They went in and I sat in the drivers seat with the engine running, one foot on the clutch and the other foot ready to stomp down on the gas. I was the get-away driver.

They ran out laughing. Monty had his wallet, which he put in his back pocket.

“How did you get it?” I asked.

As a last second inspiration, Monty and his two companions when they entered The Golden Horn fell down to their knees and began crawling all over the room squealing like pigs. Everybody cracked up laughing, even the witch with the long straight hair and butcher knife. While crawling, Monty made a straight line to the table we were at and saw his wallet on the floor and snatched it up.

Alls wells that ends well.

Atlanta and Environs: a chronicle of its people and events; years of change and challenge,

Atlanta and Environs: a chronicle of its people and events; years of change and challenge, 1940-1976

By Harold H. Martin

Pg 481-483

1967

THE year 1966 was characterized by strikes that brought vast Atlanta construction projects to a temporary halt, by crime, by confrontations in the streets between civil rights advocates and defenders of the old patterns of racial relationships. Optimists hoped that at last the worst was over; but when Atlantans moved on into the year 1967, they would be shocked at continuing violence, unrest, and divergence from the norm in many areas of life.

Many Atlantans joined their fellow Americans in the increasing antiwar sentiment as more troops were shipped to Vietnam and casualties continued to mount. In February, Martin Luther King, Jr., spoke out against the war. Antiwar demonstrators marched on the Pentagon October 21, and 647 of 150,000 were arrested. Similar demonstrations had occurred in Chicago, Philadelphia, and Los Angeles. In Oakland police arrested 125, including singer Joan Baez.

And, while the war was being vigorously protested, blacks were continuing their demands for civil rights and were showing an increasing militancy. Race riots rocked 127 American cities, killing 77 and injuring 4,000. In June there were riots in Boston, Buffalo, Cincinnati, Tampa, and in Atlanta. As the weather got hotter, so did tempers. In July there were further riots in Birmingham, Chicago, Detroit, New York, Milwaukee, Newark, and Rochester. The most violent areas were Detroit and Newark. Federal troops were used in Detroit, the first use of federal forces to quell a civil disturbance since 1942. A, Black Power Conference in Newark had adopted an anti-white, anti-Christian, and antidraft resolution; and black militant H. “Rap” Brown of SNCC had cried “Burn this town down” on July 25 in Cambridge, Maryland. Police arrested him for inciting a riot. Another SNCC leader, Stokely Carmichael, urged blacks on August 17 to arm for “total revolution.”

In Atlanta Martin Luther King, Jr., firmly rejected Carmichael’s Black Power movement. However, in April King had called the U.S. government “the greatest purveyor of violence in the world,” and had encouraged draft evasion and a merger of the civil rights movement and antiwar movement.

The unrest in the black community was in some degree allayed by President Lyndon Johnson’s appointment of Thurmond Marshall to become the first black Supreme Court Justice on the resignation of Mr. Justice dark.

And a black movie star brought pride to his race by starring in three of the year’s top movies. Sidney Pointier had the leading role in To Sir, With Love, In the Heat of the Night, and Guess Who’s Coming to Dinner? All three of these movies ran for extended engagements in Atlanta’s theaters. Two decades earlier the city had banned movies that even hinted at interracial contact.

To learn more about the counterculture that was becoming so manifest, Atlanta readers would buy a rock and roll publication called Rolling Stone and try to understand what they were seeing as they rode through the section of town surrounding Tenth Street—which had been taken over completely by a new look of youth: long-haired, bearded young men and their long-skirted, barefooted girl friends—the “flower children” or “hippies”—the product of the years of unrest and drug abuse. There would soon be a local counter- culture newspaper called The Great Speckled Bird.

The hippie colony in Atlanta soon became famous far beyond its borders. Summer of Love was the title of a movie made about the hippie community in Atlanta in 1967. And a summer of love it was among the flower children; but it was a summer and ensuing years of worry and frustration for landowners and shopkeepers along Peachtree from Tenth to Fourteenth Street. The community, once a nice shopping area for in-town residents, began to deteriorate.

According to Bruce Donnelly, a young Methodist minister who at the urging of Atlanta’s church and business groups had opened the Twelfth Gate Coffee House for artists and hippie types, there were about 1,500 members of the community in the Fourteenth Street area off Peachtree in the summer of 1967. They ranged in age from thirteen to the early twenties, and among them were many missing children. Soon a new and larger hippie coffee shop, called the Fourteenth Gate, was opened on the main floor of the old building whose basement, called the Catacombs, was the original hippie hangout.

Reporter Dick Herbert wrote an insightful description of the Fourteenth Gate as it seemed to him on a visit that lasted two nights and a day:

An infant is curled asleep on the drab carpet of the Fourteenth Gate, a milk bottle’s nozzle tucked at his mouth. A boy with long hair and a girl in raggedy-edged Bermudas sit Indian style not far away, browsing through magazines.

The walls are papered with posters of old B-grade movies and in the kitchen is a table at which a frazzled red-head named Alfa and other shaggy- haired youths sell hot dogs in plain bread for 150 a piece, Keel-Aid and coffee for nickels, soda pop and chips for a dime.

In the front room is a juke-box blaring. Youths are at oil-cloth covered tables reading quietly or talking. Some have beards, some shaggy or teased but uncombed hair, some sandals, some with beads, but also some in sports clothes with combed hair and shaved faces.

Among the posters on the wall over the sleeping infant is another message: “Sorry, no crashing. It’s the law.”

“Crashing” is a Hippy word for bedding down. Hippies used to gather in “crash pads,” as many as 20 or more in one apartment, sleeping on news- papers or pallets, but police applied heat and have pretty well broken up the practice.

Dick Herbert pointed out that there were at least three types of hippies:

honest hippies, plastic hippies, and hippie types. The plastics were described by the Reverend Donnelly as “usually younger, more irresponsible, thrill-seeking teen-agers who come to the area in an indiscriminate search for drugs and sex, usually finding both and usually ending up as an arrest statistic.”

By 1968 Atlanta’s once “gung-ho” hippie colony was dead, except for a small core still hanging on. There had been some 1,500 hippies in the Peachtree-Fourteenth Street area in the summer of 1967, but two years later only about 300 remained. The others had moved on to other cities, or more likely had decided they had had their fling and, as Reverend Donnelly wrote, “had gone back home with a new lease on life.”

Crime and racial violence in Atlanta seemed to be relatively mild as 1967 moved on into its long, hot summer. The calm broke in the small and previously tranquil section of Dixie Hills in west Atlanta on June 21. There violence broke out, and a forty-six-year old man was killed and a nine-year- old child was critically wounded. Witnesses said a black youth had thrown a Molotov cocktail at a policeman, and the policeman had fired his hand gun into a crowd sitting on the steps of their apartment building. The man, Willie B. Ross, was killed and the small boy, Reginald Rivers, was shot in the stomach.

The shooting ended the second day and night of rock throwing and gun- firing that had begun on Monday night June 19, around Dixie Hills Shopping Center. On Tuesday afternoon Senator Leroy Johnson had formed a “Youth Corps,” which he hoped would help prevent a repetition of Monday night’s rock throwing and arrests. The meeting was also attended by members of SNCC.

“Later,” the Journal reported, “word was passed in the community that SNCC was planning to ‘tear the place up.’ A crowd of about 100 Negroes, mostly in their 20s, had gathered by 9:00 P.M., as dusk began to set in.”

An initial force of about 25 policemen wearing riot helmets and armed with shotguns and carbines in addition to their pistols waited around their vehicles at the shopping center. Only the Neighborhood Service Center was open at the center, and here newsmen and Dixie Hills community leaders congregated.

As darkness fell, three shots were heard. A few rocks were thrown, at least one of which crashed into a police wagon window. Suddenly, the crowd lining the streets around the shopping center had vanished.

Police waded into the darkness outside the dim lights of the shopping center. There was a fusillade of between five and 15 shots, all apparently fired into the air, as the officers attempted to drive several youths from behind a nearby apartment house. …

It was not long after the first shots were fired—not by police, the superintendent said—that the fatal shooting occurred.

For such violence to break out in this area was a surprise. Two investigative reporters, John Adkins and David Nordon, moved into Dixie Hills to a job of research. When asked why violence had broken out in such a seemingly

pg 526- the others being Dallas, Houston/Kansas City, Oklahoma City, New Orleans, and St. Louis. The questions were drawn from a list of factors cited by Business Week in 1964 as considered most important by board chairmen and corporate executive officers in deciding where to locate. . . .

There are developments which are absolutely essential to a headquarters city. One is the professional personnel to handle corporate and insurance law. The eight major accounting firms in the U.S. all have substantial representation here, affirming the city is ready for growth.

Research and development has been the salvation of businesses as diverse as American Telephone and Telegraph, and Lockheed Aircraft. The area is amply supplied. More than eighty institutions, government agencies, and private firms are doing basic and/or applied research within a fifty-mile radius. Over 340 computer installations are on record.

There is constant disagreement about whether political outlook really has an effect on the development of headquarters cities. Fortune has argued that it has a significant effect and says this about Atlanta: “The quality of the city is good, and the single most striking reason is the leadership that exists there.”

All this has brought both a construction boom and great new construction know-how. But building costs have remained reasonable. The F. W. Dodge survey said that a given building in Atlanta will cost only 72% as much as it would in New York, 94% as much as in Dallas, and 87% as much as in Los Angeles.

It has taken a combination of all these factors to make Atlanta an attractive headquarters city. And it has taken a little more. Newcomers call it “the electricity of the place . . . the competitive spirit.”10

To the influx of married business executives and farmers, field hands, and blue-collar job hunters there was an inflow of what came to be known as “Swinging Singles.” There are so-called singles bars not only in Atlanta but in every big city in the United States, from New York to Boston to Los Angeles. Such places attract millions of young college graduates to the big cities, where for the first time in their lives they are independent of their families and a planned pattern. “They come,” said Sandra Grimes in Atlanta magazine, “with but a single purpose in mind—to meet singles of the opposite sex.” The procedure follows a pattern—”a tap on the shoulder, the right ‘line,’ the right look and young men can meet more girls and pick up more phone numbers in one night than a year of random girl-hunting.” Grimes continued:

These young singles are in a position of power and influence unknown ten years ago. They are better educated, better paid, freer from established moral codes than at any time in our history. And along with their freedom, financial solvency, and sexual liberation, they have become the darlings of the advertising world. With a little imagination, anything from apartments to sophisticated lounging pajamas can become a candidate for a single’s dollar. The key is youth and glamour. Market analysts have said the singles have more discriminatory buying power than any other group. They haven’t the financial burdens of the married man, and with their new affluence and swinging image to live up to, it’s no wonder they are courted and wooed by sellers of everything from stretch pants to Florida vacations. Experts figure the singles nationally as a S60,000,000,000 market, and a local singles magazine declared in a full page ad that, in Atlanta alone, singles will spend $100,000,000 this year.

There are hundreds of apartment complexes in Atlanta jammed with singles and more going up every day; there is a popular magazine published for and about singles; there are several bars where unescorted single girls are welcome; and there are at least three singles clubs in operation. …

Apartment complexes with built-in social opportunities catering to singles have sprung up all over the United States. In Atlanta, General Apartment Company has 1,540 apartment units in operation with 450 more under construction. Their projects include The Red Lion, The Lemans, and The Bordeaux. One young man planning his strategy from The Red Lion told us that “On warm summer nights, all you have to do to meet a nice girl is step out on your front porch.”

Peachtree Towne Apartments, sophisticated, beautifully designed two- bedroom units for singles, was conceived and developed by Don Davis, president of D. Davis & Company. Davis was among the first to study the singles idea in housing, and his Peachtree Towne is so widely known that young people come here from as far away as New York and California without a job or acquaintances, knowing only that they will live at Peachtree Towne. . . .

The National Association of Junior Executives, Incorporated, is the strongest and most active of the singles clubs in Atlanta with Larry Poling as president. JE now has 3,300 members; and with an estimated 83,000 singles in Atlanta, they predict this is just a beginning. They have promoted JE on radio, they have given parties at some of the best-known singles apartments, and have mailed out 10,000 applications to singles all over Atlanta. . . .

Atlanta’s young adults regard their sex lives as very personal and very private, and quite different from the exposes of swinging singles published by national magazines. In a meeting with about thirty-five attractive singles at Peachtree Towne, Attorney Lurton Massee summed up the general consensus: “Sure, our sexual mores are a little more liberal than our parents’ were. We all seek a close personal relationship with people we date—and the most of us expect that to be culminated in a sexual relationship. But this is not the focal point. We want a relationship we can enjoy in depth. Most of us spend most of our time thinking about who we are and where we’re going.”

Marriage? “Someday,” they say, “but not now, not just yet.” Most feel that they have opportunities for interesting careers, travel, and human experiences denied the married man or woman, and that possibly the one who waits Not fires, but firefighters made news the first two weeks of August when Negro firefighters chanted the old cry of racism. About forty Negro employees of the Atlanta Fire Department visited Mayor Ivan Alien on August 8 to complain that they were still subjected to racial abuses within the department and suffered discrimination in promotions. William Hamer was spokesman for the group and said that the men he represented were called “boy” and “nigger” at the station houses, were made to sleep in a segregated area, and had to shine the station captain’s shoes. Mayor Alien listened to testimony from nineteen Negro firefighters and then asked Fire Chief P. 0. Williams and Alderman William T. Knight to give him a report as soon as possible.

Ten days later Chief Williams submitted his findings of alleged discrimination against Negro firemen in a memorandum to Mayor Alien. Dealing primarily with office procedure for addressing grievances, the chief fired off a memo to all personnel in the department to address one another by their surnames and officers by their rank. One of the sore spots in the controversy with the black firefighters was the denial of their entrance into the department’s social club at Lake Allatoona. In Williams’s letter, it was noted that the club was a private organization controlled by a board of trustees that determined policies for membership. It was supported entirely by dues and was maintained through voluntary services of the members.

On August 26 the confrontation came. William Hamer, accompanied by five other Negro firefighters, argued with the Board of Firemasters that segregation existed within the Fire Department and had plagued Negroes since their initial hiring in 1963. Hamer argued that the blacks should have been given an opportunity to participate in the current rewriting of the department’s rules and regulations handbook. Alderman Q. V. Williamson, present at the hearing, gave Hamer a copy of the suggested regulation changes and asked him to return it in three days with his suggested changes.

Williamson, the city’s only Negro alderman and the first in Atlanta’s modern history, summed up the issue thus: “It’s common knowledge that discrimination against blacks joining the fire department existed openly prior to 1963 because they were not permitted to be foremen. Now, all these men are actually saying is that discrimination still exists, but has gone under- ground.”

Williamson was elected vice-president of the Board of Aldermen early in the year and was third in line of command of the city government. From Friday, March 13, through the weekend; Williamson served in a way as Atlanta’s first Negro mayor because both Mayor Ivan Alien and Vice-Mayor Sam Massell were out of town.

In October, Williamson was no longer the only Negro alderman in Atlanta. As a result of the fall election, four new Negro aldermen were named. They were: Ira L. Jackson, a businessman; Joel C. Stokes, a prominent banker; Marvin Arrington, an employee of Emory University, and H. D. Dodson, a commercial photographer.

The election of the new black aldermen drew attention to the interesting fact, as the Journal reported:

Black people are now filling 246 kinds of jobs in city government, whereas 10 years ago they worked in only 14 mostly menial and custodial jobs. Carl Sutherland, retiring head of the city’s Personnel Department, said that of the city’s 8,159 employees, 37% are black. He stated that more blacks than whites are being hired at City Hall, but admitted there was a dearth of black people in city department administrative positions.

“Since most of the high-level jobs in city government are filled by career employees with long service, it will take quite some time for black people to move into these high-level jobs,” he added.

These comments raised an outcry from incoming Mayor Sam Massell, Vice Mayor Maynard Jackson and Negro senator Leroy Johnson. Mr. John- son’s comment was “Our thrust is to get black people into department head jobs. What we really need in this city is a black director of personnel . . . .”

Sutherland said when he hears demands about why more blacks are not in City Hall’s employ, “I show them the statistics and they are usually favor- ably impressed. According to recent charts, Negroes hold 3,206 out of 7,023 positions in City Hall Departments.”

Changing times and changing life-styles brought an end at last to one ancient Atlanta business institution—the once-busy National Stockyards on Brady Avenue in northwest Atlanta. The last animal left there was one lone mule, owned by Ben Burnett, president of McClure-Burnett Commission Company, and it was up for sale. The complexities of urbanization had caught up with the cattle farm, where 1,500 to 2,000 head a day had been paced through the auction ring. McClure continued to maintain an office in Atlanta, but he moved his mule and cattle auctions to barns in Rome and Toccoa, Georgia.

Another Atlanta institution—no mule barn, but a landmark food purveyor—passed from the civic scene late in 1969. Old-time lovers of the Tenth Street community on Peachtree bade a sad farewell to a longtime favorite shopping place—Roxy’s Delicatessen. Opened in 1923 by Jack Franco, it bowed out because of the hippie community that is surrounding it. The hippie community, in fact, was much in the news in 1969, mainly in the area of drug abuse.

Crime in every form, indeed, had been rampant in the Atlanta metro area during 1968, and predictions, which proved accurate, were that 1969 would be even worse. “Atlanta’s predicted and ‘disturbing’ increase in crime last year was borne out in new indictment figures that show some of the most alarming gains were in murders and abuses of the narcotics laws.” Fulton District Attorney Lewis Slaton said that the newly released total of indictments—4,037—was a 25 percent rise. Of this figure, 140 were for murder; 312 were for assault with intent to murder; 139 cases involved narcotics; 319 were for robbery and 761 for burglaries.

And, Atlanta, as forecast, did keep up the unhappy pace in 1969. By the middle of October the crime situation was such that “an angry, red-faced, sometimes shouting Governor Maddox” threatened to order state troopers to Atlanta to bring “law and order” to a city he saw as besieged by “bums, criminals, anarchists and drug addicts.”

Maddox charged that “sorry, no good, cowardly” Atlanta city and police officials had condoned, encouraged and sometimes joined with those who echoed the Communists’ cry of “police brutality.” Maddox said he did not want to order state action but felt either the police had to stop crime or vigilante groups had to do it “or the anarchists will take over.”

This tirade was apparently triggered by word that Atlanta police had slowed down their arrests of hippies in Piedmont Park. “In surrendering Piedmont Park to filthy and lawless elements, Atlanta officials have created another island of immunity for those who will, to proceed with sexual immorality, drug abuse and other lawless acts,” Maddox charged. Mayor Alien and Police Chief Herbert Jenkins replied that they would meet with the governor and be happy to consider his recommendations.

“Police brutality” was charged against Atlanta uniformed officers by one of their own number in September. DeWitt Smith, a five-year veteran of the department and a Negro, accused five of his white fellow-officers, including a lieutenant, of beating, stomping, and choking and kicking two Negro prisoners who had been brought into city jail. Smith, trying to choke back tears, told the story of what he had seen. Mayor Alien expressed confidence that Chief Jenkins would take whatever action was necessary, and Jenkins pledged to do so. But placating words from high civic authority did nothing to quell the rising tide of black anger.

On Monday morning, September 15, about fifty angry Negroes pushed past Mayor Ivan Alien, Jr.’s police aide at City Hall and demanded that Alien temporarily suspend Chief Jenkins and place the department under a committee of aldermen and citizens. Alien refused and told the group that Jenkins was as interested as anyone else in getting the truth of recent allegations of police brutality. Two days afterward, Jenkins strongly recommended the hiring of civilian turnkeys to handle prisoners at City Jail.

In meetings at the Greater Calvary Baptist Church and at the West Hunter Street Baptist Church, Lonnie King, head of the local office of the NAACP, the Rev. Joseph Boone, director of the Metropolitan Atlanta Summit Leadership Conference, and Jesse Hill, cochairman of the conference, presented blacks who testified that they had been brutally handled by police. As a result, the clamor to oust Chief Jenkins increased in vigor, and a suit was filed in federal court demanding that this be done. Joining in this legal action, which Atlanta City Attorney Henry Bowden described as being purely political, in addition to the above were the SCLC, the African Soul Brothers, the Bankhead Court Civic League, and the Tenants United for Fairness (TUFF). By mid-September the FBI had been called in, according to Atlanta’s Special-Agent-in-Charge Frank V. Hill, and the Fulton County grand jury was asked to conduct its own special probe.

By October 1 the charges of brutality by police against the blacks had been somewhat overshadowed by similar charges in which Atlanta’s hippie colony, most of them white, were the victims. The confrontation came to a climax on a Sunday afternoon in Piedmont Park. Chief Herbert Jenkins told the story in his personal history My Forty Years on the Force. After describing the hippie community, known as “the strip,” lying along Peachtree from Fifth Street north to Fourteenth, he said:

There were many cases reported in the beginning wherein teenagers from very proper homes would drive their cars to Piedmont Park, quickly change into their hippie clothes, and then walk to the strip for several hours of excitement. Returning to their cars, they would change back to straight clothes and drive home. These kids were interested only in looking and satisfying their curiosity. But then more unsavory types were attracted to the strip and the term flower children became a misnomer. As late as the winter of 1969 drugs were virtually non-existent in Atlanta. The arrival that summer of thousands of kids from other parts of the nation who were heavy into the drug culture created a massive drug problem for Atlanta police which has yet [1973] to abate.

There were different opinions among public officials, civic leaders and the police of what approach and policies should be applied by the police to control the situation. There were those who insisted on a hard-nose policy— go in there with enough police with night sticks, tear gas, and necessary force to clean the hippies out and/or lock them up. But it had been clearly demonstrated in the civil rights movement that to arrest hundreds of demonstrators (actually, in the case of the hippies, the only demonstrating was walking the sidewalks) for minor violations did not correct anything. Usually such efforts just created more problems. I agreed with the group that insisted a more tolerant approach be used, and that every effort be made to control the situation without the use offered or arrests. Thus only flagrant violators would be arrested and force used as a last resort. The police officers assigned to the strip were carefully selected so that those officers who were in sympathy with this policy and understood it and could make it work would be assigned to the hippie community. But there was such a wide difference of opinion among public officials, the citizens, and the police that this was not always possible.

This conflict reached an explosive point in Piedmont Park on a Sunday afternoon in August of 1969. Large groups of hippies had gathered in the park and grass and other drugs were being sold openly and used openly. The relationship between the police and the hippies had been declining all summer as drug usage accelerated. A decidedly bad element had infiltrated the hippie movement. Pressure was intense from residents of the community to “do something” about the situation. What happened was a confrontation between the police and the hippies when the police tried to make a drug arrest. A near riot developed—the news media were on the scene and the cameras were grinding. Ultimately, many arrests were made and several people were injured, including some police. It had been a nervous summer and not only were the police and hippies uptight but countless Atlanta parents of children in the metropolitan area who had been unable to keep their children away from the strip and away from this particular rock concert in the park and had accompanied them to Piedmont Park for the concert. Many of these parents entered into the fray, some against the police but many taking it as an opportunity to beat up some hippie. A lot of hippies were battered that day not by the police but many by irate parents and neighborhood residents.7

Jenkins was called before the grand jury to report on this incident, as well as the charge of brutality filed by the black leaders. His eloquence and obvious sincerity seemed to have prevailed, for the grand jury in its presentments released on Sunday, November 2, called the recent charges of police brutality “exaggerated and lacking in substantial evidence.” To Chief Jenkins, the grand jury’s probe had obviously been “an excellent job of investigation.”

The grand jury’s findings by no means ended the confrontation between police and hippies and drug users and peddlers in general. Drug raids continued throughout the fall, with large amounts of marijuana and narcotics being confiscated by the authorities. In most cases the people arrested were very young—in their middle teens. In December, though, a twenty-seven-year old Atlantans who police said was the king pin of the LSD traffic at pop festivals was arrested while attempting to deliver fifteen pounds of marijuana and 900 LSD tablets to Cocoa, Florida. A long-haired man, he was known in hippie circles as “Atlanta Schroder.” When his apartment, which he shared with several others, was searched, 5,000 LSD tablets were confiscated. Schroder, being absent, was not among the eighteen arrested in this raid.

 

Thus the city continued the pressure on its hippie area. Raids by local and state officers sparked a near-riot and the arrest of thirty-eight persons. The raids, conducted in the Fourteenth Street, Peachtree, and Piedmont Avenue areas, were greeted with catcalls, obscenities, and a shower of bricks and bottles when a crowd of nearly two hundred people gathered. The raids followed a two-month investigation of the area. The officers had search warrants for five places and arrest warrants for eleven individuals who had sold drugs to undercover agents. Det. Lt.J. R. Shattles charged in his report that “most of the agitators came out of the Speckled Bird [underground newspaper] office and instigated the hostile action toward police.”

 

State drug inspectors also were hard at work in the Atlanta area trying to break up a narcotics ring. On August 12 it was announced in headlines that they had been successful and that three doctors and a dentist had lost their federal narcotics licenses.

 

Joseph Weldy, the state’s chief drug inspector, put investigator Richard Andrews to work—seventy to eighty hours a week—searching through druggists’ files to find names of people who seemed to be buying abnormally large amounts of narcotics. One of the ways the drug racket worked was for a person to go to a physician and fake an illness, get a legal prescription, and then steal a pad of prescription blanks, duplicate the real one many times, and then use them at different drug stores. The crackdown on prescriptions resulted in a rash of drugstore burglaries for narcotics.

 

Another series of burglaries involved a ring of drugstore burglars who were distributing stolen prescription drugs widely in the Fourteenth Street- Piedmont Park area. The stealing of drugs continued, and police made numerous raids throughout the year in an attempt to ferret out the ringleaders. One of the most frightening aspects of drug abuse was the increase of users in the schools.

 

Local juvenile court judges and police officers described DeKalb and Fulton high schools as places where drug usage was common and on the upswing. DeKalb Juvenile Court Judge Curtis Tillman believed there were 100 addicts for every case he heard and declared that no high school in the Atlanta area was without its drug sources.

 

Although Atlanta police kept busy with their efforts to nab drug abusers and murderers, they also had the job of keeping up with a rampant lottery operation in the Atlanta area. Accusations were brought against sixteen per- sons, including two Atlanta police, for allegedly conspiring to operate a multi- million-dollar lottery with headquarters in Atlanta, which was described by law enforcement officials as the largest in Georgia. Of the two police officers, one was a former detective on the lottery squad. Most of the evidence against the sixteen was obtained through wiretaps on the phones of three of the people.

 

Atlanta’s booming lottery operation, which paid off at 500 to 1 instead of the usual 400 to 1, naturally attracted the attention of big-time racketeers elsewhere. Two of these were Gilbert Beckley of New York and Tito Arini of Miami, who came to Atlanta and soon, according to FBI Agent Donald Burgers, had completely taken over the operation of the Atlanta lottery. Beckley’s triumph was short-lived. By October 10 he had been arrested.

 

Following close on the heels of the arrest of New Yorker Gilbert Beckley was the raid conducted by six Atlanta law enforcement agencies. They battered their way into a closely guarded gambling casino in Cobb County.

 

 

Tripping on the Strip, 1967

                Tripping on the Strip, 1967

  – Rupert Fike

 Even though we knew the real hippies were far away,

on Haight Street, we took comfort in at least being freaks

to the white-bread gawkers who cruised the Strip

every weekend, whole families pointing from station wagons,

and then later came the worse-off cars with drunks leaning out –

Hey . . . Commie! You a boy or a girl?

(look out for that beer can!)

We knew we weren’t Commies either

because, for one thing, Communists didn’t take acid,

which was pretty much our job along with faking

the Southern accent of local winos

(Midtown at that time was very much poor-white),

so yeah we got high, we paraded,

we crashed,

we woke up groggy and started it all again . . .

taking to these city blocks when our cat-box stinky rooms

became suffocating, when the need for milk or bread or papers

propelled us out into danger, onto the Strip

where we exposed ourselves for hassles

and sometimes violence, not to mention the occasional

arrests for “violation of pedestrian duties”

if we so much as put one foot off the curb while selling the Bird.

Then came Jail. Where you sat . . . until somebody

tracked down Alley Pat Patrick, the one Decatur Street

bondsman who bailed out protestors and hippies.

 

 

For spiritual guidance we had two choices –

Mother David of the Catacombs with his pagan,

maternalistic embrace of all mixed-up hippie waifs . . .

Mother David, queer of course,

but in those pre-gaydar days he was simply

the matriarch of  our hard-core 14th street scene.

Meanwhile . . .  over on 10th St. was Jesus and Bruce Donneley

with his suburb-friendly 12th Gate coffee house –

paisley evangelicals offering tea, cider, the blues,

and an upstairs poster shop which was a great place

to hit on weekend hippie-chicks

who might possibly agree to come check out

your collection of black-light posters.

 

Midway between the Catacombs and the 12th Gate

was Henry and Sue Bass’s Workshop in Non-Violence,

the politics of peace working hard to sprout

in this backwater of a great confused country torn by war,

Henry and Sue, who tried to guide us toward activism,

who helped find us a room at 174 13th Street –

home to an unlikely collective of street-theatre types,

SCLC workers and fellow freaks who lived

to stick their heads between Iron Butterfly speakers

in the basement of that craftsman house

where politicos and lotus-eaters had been thrown together

by necessity . . .  unlike Cambridge and Berkeley where

activists and hippies kept their distance  . . . what was

not an option in Atlanta at that time.

So some of us who had grown up in Georgia were now

breaking bread each night with the very people

our fathers had called, Outside Agitators!

horn-rimmed civil-rights workers like Jim Gehres

who came south from Oberlin College to register voters,

but who instead became Dr. King’s chauffer

because the great man felt safe with Jim.

And really, we shouldn’t have given Jim that acid . . .

but we did, we did

 

(what rendered him incapable of driving the next day),

and we got into trouble with some SCLC types

who said that we had become

part of the problem not part of the solution

(the unkindest cut of all).

But, No, it hadn’t been our fault – the real problem was

those orange double domes cut with truck-stop speed

that were out on the Strip – That was what had messed

us up so bad, That was what had kept

our tribe of wannabe Buddhists

wandering the early morning Atlanta streets

like Sadhus, Indian holy men with no home,

only a vision, and yeah,

we had a vision all right,

but after six hours we just wanted our vision gone . . .

enough already with the oneness thing!

And as we walked the side streets of the Strip that night,

all we could see was concrete, a paved-over planet,

humankind’s connection to the Earth cut off

by aggregate, same as our mental pathways were cut off.

Around 2 am we saw a redneck drag queen hailing a cab,

her accent revealing her Appalachian roots,

Y’all are some fucked-up flower-children.

Y’all’s eyeballs are fixing to pop!

And when a Blue and Grey cab stopped,

we saw that the taxi was being driven

by a coyote in a sports shirt, so we started running,

running down 12th Street into the park,

but it was scary there, too full of cop cars

and cruising high school jocks looking to gay-bash.

Yet we so needed some neutral dirt,

a place we could root our butts to

and allow this terrible energy to go back to ground . . .

we walked deeper into the city night to a corner

on Juniper with grass, bushes, a place to sit,

and as dawn brought up its stage lights we saw

we’d grouped around a Georgia historical marker,

James Andrews

(some of us could now read)

for it was on or near this spot in June 1862

that he and five others were hung

by the neck until dead (and we thought we had troubles) –

Andrews Raiders . . . the Great Locomotive Chase . .

the Congressional Medal of Honor created

for the men marched here,

likely to muffled drumbeats,

and the scaffolding – it must have been on that little rise,

its trap door waiting . . . .waiting to spring,

and when it sprang what were the noises . . .

squeaks then crowd gasps, that’s how it goes isn’t it,

what was much worse than our little

chemically-induced spiritual crisis.

Gradually it became fully light.

People were going to work in cars.

It had made sense that we were All One a few hours ago.

But now it didn’t.

We were tired. We were confused.

We so wanted to come down.

Rupert Fike’s poems and short fiction have appeared in Rosebud (Pushcart nominee), The Georgetown Review, Snake Nation Review (winner 2006 single poem competition), The Atlanta Review (forthcoming), Natural Bridge, FutureCycle, Borderlands, storySouth, The Cumberland Poetry Review, and others. A poem of his has been inscribed in a downtown Atlanta plaza, and his non-fiction work, Voices From The Farm, accounts of life on a spiritual community in the 1970s, is now available in paperback. 

Community

everainbowReprinted from The Great Speckled Bird, vol. 3 #27 July 10, 1970lifetoofine

 

Community

 It has been said that you have to understand the past to know the future. Freaks don’t necessarily believe that. We’ve seen how our parents have used the past as an excuse for standing still. In our lifestyle we are attempting an affirmation, not of the past, nor the  present, but the future.

Now though, after several years of growth, the hip community in Atlanta does have a past. There have been important struggles in Atlanta-struggles for the street, for the park, for store-fronts, for our own institutions, for unity against straight Atlanta’s rulers. This is our history and we can learn from it.

For years, the Midtown area of Atlanta has been the center of a small bohemian colony. It grew around the Atlanta Art School, located on Peachtree near 15th. In those days (late fifties) before the corporations decided that art was a necessary part of good business, the Art School was a pretty open, groovy place. One of the first coffeehouses, The Golden Horn, opened near the Art School during the folk music craze begun by the Kingston trio. At the time the only place you could see quality foreign films was at the Peachtree Art Theater, and near it were two of the best record shops in town. Grass was plentiful and if the cops busted a party for too much noise or something they didn’t know to look for it or know to recognize the wonderful sweet aroma.

Not all was peaches and cream, though. Before the Golden Horn, a coffeehouse had been opened on West Peachtree and busted on opening night. The owners were busted for operating a dive and for obscenity from Playboy pinups upstairs in a bedroom.

The economics of the neighborhood supported the colony. With the flight to the suburbs in the mid-fifties, the neighborhood had been surrendered to working class whites and rents were pretty cheap. Rentals of storefronts were relatively cheap since many merchants in the area moved to Ansley Mall when it opened about 1965.

In 1966 a student at the Art School, David Braden, opened an Art Gallery on the north side of l4th. That was Mandorla No. 1 and when he moved it to the corner of Peachtree and 14th it became Mandorla No. 2. In the basement Braden opened a coffeehouse-The Catacombs.

Braden was gay and was out front about it. People respected him for that and for the openness of his gallery  to new art. In the summer of 1967 when kids, mostly from metro Atlanta, began to come into the area, Mandorla was the natural place to go. A few hip people began to sit on the porch or on the wall across the street.

Summer of 1967 was the Haight-Ashbury summer, and news media across the country began looking around their towns for hippies. Atlanta was no exception; They found Braden and made him into the “leader of the hippie colony.” The cops got uptight, and Braden was busted for possession in November 1967. He got a year’s suspended sentence for that but in March 1968 he was busted for selling to a minors- a police frame-up. Braden had attempted suicide and when his lawyer pleaded him guilty, his charge was reduced to simple possession. He’s still in jail, one of many taking the rap for the rest of us.

Six hours after Braden’s second arrest, the vice squad raided the Morning Glory Seed, Atlanta’s first headshop, located on West Peachtree near North Avenue. The owner was a friend of Braden’s who had helped him with the defense in his bust. Two employees were busted and a warrant was issued for the owner. The Morning Glory Seed was closed.

But the police weren’t able to close the Middle Earth head shop on Eighth Street near Peachtree. They did try, though. The Middle Earth was opened in November 1967 by Bo and Linda Lozoff. They opened with a poetry reading by an Emory professor. The cops came that night and practically every night after that, hassling customers, hassling Bo about his cycle, threatening arrests for “obscene” posters in the shop. Bo fought back and kept his shop alive.

Spring 1968 came and the warm weather brought kids back into the area. The Catacombs had been reopened as a rock club and kids gathered around the corner of Peachtree and 14th creating Atlanta’s first real street scene. Lozoff opened a branch of the Middle Earth upstairs where the gallery had been. in March 1968 the Bird began operating from a house down 14th a half block from the corner.

The city saw what was happening and sent the cops to clean it out. Kids were arrested for loitering, jaywalking, vagrancy-anything the cops could think up. Sometimes 20 or 30 were arrested at a time. Bird sellers began getting arrested for “violation of pedestrian duties.” Lozoff, who was seeing his customers arrested in his 14th Street shop, wrote in the Bird, “The Atlanta Police Department is not a corrupt arm of democracy. It is a fascist branch of an increasingly fascist society based on violence, intolerance and oppression.” He was right.

Drug busts increased with increased use of undercover narcs. Then during the summer Lozoff was forced to close his branch because the police harassment was| driving away customers. The Twelfth Gate, a Methodist Church coffeehouse on 10th Street which had earlier opened a free clinic on 15th Street, opened the 14th Gate in the space. Logoff had used. Their idea was to provide a place for kids to get in off the street, away from the cops. They had a good jukebox and inexpensive food.  But the cops came in and busted kids for loitering and sleeping in a public place. Near the end of the summer the l4th Gate closed.

img238The first struggles for Piedmont Park began in July 1968.btKyn&the.spring.and summer, kids had been run out of the park by the cops. In July folks got together a Be-In. Eight hundred people showed-up. Some bands  were there but the electricity was turned off. A generator was on hand but the cops stopped it. The Be-In moved to the Bird’s back yard. No real protest was made made-the community was still weak then.

During the summer, at the trial of some kids who were busted at the corner of l4th and Peachtree. Municipal Court Judge Jones summed up what everyone by then knew was happening. In court he said, “I’ve never tried one of these cases before, but we’ve received complaint after complaint from business about people hanging around and taking over the area. Now these officers have their instructions, and if you’re brought into this courtroom on charges of loitering, the court is going to find you guilty.”

In fall of 68 the street scene slowed down as kids  went back to school and the weather grew colder. In October  a sit-in was held at the Pennant Restaurant near l4th and Peachtree after the restaurant began refusing freaks service. The Pennant returned to a policy of serving anyone.

Also in October, the Merry-Go- Round opened on what is now called the Strip. Opened by two guys who were shrewd enough to see that there was a lot of money to be made from hip culture in Atlanta, the Merry-Go-Round did well from the start. Previously the real estate interests had refused to open the strip to anything that looked hippish. Some real estate men saw that they too could make money off the hippies, and the strip was open with in most cases higher rents charged to the merchants of hip culture.

The winter of 68- 69 was pretty quiet. Drug busts continued, often concentrated in two apartment buildings on either side of the Bird office on 14th Street. In January another sit-in was held, this time at the Waffle House on Peachtree near Tenth. It too succeeded in opening the restaurant up at least for a time.

Spring 1969 opened with a Bird birthday party in the park on March 29. The Bird had discovered that there were no ordinances prohibiting the use of electric music in the park or regulating the use of the pavilion. So the celebration was held with the live, electric music of the Hampton Grease Band. The park was opened.

In April work was begun on She trade mart which was to become Atlantis Rising. The store was owned by two persons who thought of it as a cooperative in which “tradesmen” could lease space for their wares at overhead cost. For a time Atlantis became the focus for the community, with a lot of kids helping in the construction. As the street scene picked up again Atlantis became one of two places to hang around.

The other gathering place was the Middle Earth up on Eighth Street. At night kids began to gather, talk and deal on the parking lot across the street from Middle Earth. Again the city got uptight and sent the cops. Arrests on a large scale began for the same old charges jaywalking, vagrancy, etc. At times police would set up roadblocks on Eighth Street to conduct searches of cars.

On May 17 three kids were arrested at the Waffle House when they refused to leave after being refused service. Spontaneously a demonstration was held in front of the restaurant. The community was getting together. Things would be different in 1969.

Late in the winter, construction was begun on Colony Square, the office development that stands at Peachtree&14th. Older residents knew that area was slated or high-rise development but the Colony Square construction brought the news home to everybody. In the months before construction began, city housing inspectors were busy inspecting and condemning buildings to help pave the way for the developers. Housing became harder and harder for freaks to find, for their buildings were the first to be condemned.

1969 was an election year in Atlanta and the hip community soon became one of the political issues when Alderman Everett Millican, a mayoral candidate, began calling for action against the “sex deviates” and hippies in the parks and along Peachtree Street. Not to be out- hippie baited by Millican, Mayor Allen, who supported another candidate, said on June 30: “We arrest them by the hundreds for the slightest infraction of the law.” It was true: hundreds of arrests were being made on Eighth Street and throughout the community.

On July 4th, the first Atlanta Pop Festival was held near Atlanta. Afterwards more kids were on the streets. Harassment arrests continued. Bird sellers were arrested for jaywalking when they stepped off the curb.

On August 4 police conducted another large narcotics raid on 14th Street. Some of the kids were charged with occupying a dive. As the police led the kids into the paddy wagon, a crowd gathered and began chanting at the police. After ten or fifteen minutes of “Pigs Out of Our Community!” the police charged, maced, and started blasting. Three Bird staffers were charged with inciting to riot. The next week the Bird was give an eviction notice because the insurance was cancelled after someone planted Molotov cocktails in the bushes in front of several 14th Street buildings.

The community was uptight. Next week a community meeting was held behind Atlantis Rising but nothing was done. Later a community patrol was begun for a couple of weeks to try to protect freaks from police harassment.

Over the summer music had continued sporadically in the park. Late in August when tensions were highest, The Hampton Grease band gave a “Labor of Love” in the Park. It was a fine time.

Then in September, Atlantis Rising was firebombed. Although several witnesses gave police a description of the car, no one was caught. Atlantis stayed closed over the winter.

Next week the Atlanta people, with the cooperation of the community, got together a mini-Pop Festival which was to be a benefit for the rebuilding of the store. The city provided the showmobile stage and the music was held on the ball field in Piedmont Park. Several thousand people came during the weekend, but expenses were higher than contributions and nothing was raised for Atlantis.

The following weekend music was held again in the park. It was on a smaller scale, with the bands back on the stone steps. A plainclothes narc was in the crowd looking for a bust. George Nikas recognized, him and started telling people. The narc tried to arrest George, A crowd gathered. George split. Cops came back and arrested Bird photographer Bill Fibben, who had been taking pictures. The crowd was angry, shouting at the cops. The cops blew their cool and started lobbing tear gas. A professor’s wife was beaten. National TV carried close-up film of a kid being beaten in the face with a billy club. The following Saturday six to eight hundred freaks marched down Peachtree Street to the police station. The community was together, and the police retreated, staying out of the community for the most part until 1970. In October a three-day festival was held in the park to claim it once again as ours.

Early in November a private social service agency, the Community Council of Atlanta, announced that it had received funds to pay the rent on a community center for six months. A community meeting was called. Kids. Bird people. Twelfth Gate folks, Harkey Kline-felter from the Street Ministry, and Universal Life Church ministers came together to form the Midtown Alliance to plan the community center. Late in December the center opened on Juniper Street providing a home for the free clinic, a place to took for crash sites, help with legal problems and jobs. For the first time lots of kids were in the community over the winter and the community center helped them stay.

In December the Laundromat opened on Peachtree near Tenth. By this time half a dozen hip stores had opened along the strip. Their merchandise was commercially manufactured, few community people worked in them, and the profits went to the owners. The Laundromat opened lo provide a non-profit outlet for community-produced goods. About twenty people opened the Laundromat as a cooperative in which all decisions would be made together. Community residents could sell their wares through the Laundromat with only a 10% charge for overhead.

Over the winter the Midtown. Alliance held weekly meetings at the 12th Gate. Other community projects developed out of the Alliance. Churches pledged money for a “Youth hostel” to provide temporary housing for freaks coming into town. The money became available in January but the churches have been unable to locate a real estate man or owner who will rent to them. A Catholic monk and a Georgia State student got together to develop a runaway program, The Bridge, to help young runaways work out some arrangements with their parents. In June they found a building but the city condemned it so they are now operating out of the community center. Hip Job Coop was opened on Tenth Street to help kids find jobs and provide an outlet for community goods. Jobs are hard to find, though. and although Hip Job has survived it hasn’t been able to get the store together enough to provide a real alternative to the straight hip merchants.

On the strip Atlantis reopened and two short order food establishments, Chili Dog Charlie’s and Tom Jones Fish&Chips, provided a focus for the street. Early in the Spring kids gathered along Peachtree to claim the street.

By the time Atlanta had elected a “liberal” mayor, Sam Massell. In February Massell had agreed to meet with the Midtown Alliance to work out ways of avoiding hassles in the coming Summer. He seemed to be committed to a different approach from the police enforcement policy  of his predecessor. Bu then city employees went on strike and Massell “friend of the poor” used everything in the book to screw the strikers. A number of hip community residents participated in activities during the strike and they began to wonder what kind of liberal Massell was.

Early   in the Spring things picked up on the strip. Large crowds

Gathered on Peachtree. But there were intimations of violence against freaks by outsiders. Girls being raped on side streets. The police would do nothing. The Alliance formed a community patrol to provide some protection. In late May, Chili Dog Charlie’s was bombed.

During May a young music promoter had planned a “Peace Festival” to be held the first weekend in June, was planned as a way for the community to come together to begin a summer of peace – a memorial service to those killed at Kent State, Jackson State, and Augusta. As the weekend approached the city refused to issue a permit for the park. Mayor Massell was going to make a policy statement about the “hippie problem”. Later it turned out that he feared riots from what he said he didn’t want two going on at once – one on the strip and one in the park.

He almost did have a riot. Because of the violence on the Strip, the rapes and attacks, most people at the time did not want police protection. But Massell after a rap about protecting people’s rights, announced that he was sending in 64 cops. And that night, he did. On the Strip kids freaked out and fled to the park for a community meeting. At the meeting I expected the same old phony hassles of “peace” freak vs. “violence” freaks, but the community was together. Everyone wanted the Strip back and three to four hundred marched back  to the strip to reclaim it.

At first the cops made few arrests, but that soon changed. For the third summer in a row, kids were arrested for loitering, jaywalking, etc. Bongo was arrested taking a cop’s badge number. He was convicted by the same judge Jones who had been so candid in 1968.

Early one Sunday  morning, after the Cosmic Carnival, police raided Fish&Chips and arrested 21 for loitering, including the manager and assistant manager.

This weekend  a kid was sitting on the sidewalk about a foot inside the property line of the Metro skinflick. The owner, who was president  of the Tenth Street Businessman’s Association, told him to move. He moved off the property line. A cop came up and said,” do you want him arrested?” The owner said yes. The kid was taken inside the theater and beaten when he protested his arrest. A crowd gathered in front of the theater. The glass on one of the doors was pushed  or kicked in. The owner came outside with a pistol and shot in the direction of one group of kids.

So there it is, the same   old story of harassment from the   city, police. Straight businessmen. But things are changing on the strip. Every time the cops begin to bust, the odds are that the community  will protest the arrest. During  one bust kids were freed from the cop car. In others bottles have been thrown. The  community is not going to tolerate police harassment.

Other things are changing too. The community is uptight about all the heroin on the Strip.  Kids have seen how smack destroys hip communities. This week a smack dealer was physically told  to stay out of the community. The Community Center is now located at 1013 Peachtree. It is working with lawyers who will represent kids in harassment arrests. The Clinic continues , helping kids with regular medical problems or kids who have bad trips  or want to try to get off smack. The twelfth Gate has become more of a community institution – the one place where community bands can play and even make a little bread. The Laundromat survives, supporting around 200 community craftmakers.

Many of the community’s struggles have been successful. Community institutions have been developed. The park is ours, although we still may have to fight to continue to have music there. The street is ours too, despite the constant fight to protect it. Most importantly the community is coming together in a real way – not just during a crisis as in the past. The future will be a struggle, but if we stay together we can make it. It really is just about that simple.

-gene guerrero jr.

Great Speckled Memories: Back when The Bird really was The Word

http://www.politicalaffairs.net/article/view/3403/1/167

Great Speckled Memories: Back when The Bird really was The Word

By Jonathan Springston

5-10-06, 9:16 am

(APN) ATLANTA – It’s difficult to talk about the leftist scene in Atlanta in the 1960’s and 70’s without someone bringing up The Great Speckled Bird, the leftist alternative newspaper which influenced so many minds of the time. But what was The Bird? Who ran it and how did it operate?

Atlanta Progressive News has conducted extensive interviews and uncovered vast archives of The Bird’s back issues, to explain this historical phenomenon to our progressive readers of today.

In the 1960s, there were 800 underground newspapers in the United States. Many lasted a short time, but for eight and a half years, The Great Speckled Bird told the other side that other Atlanta newspapers were afraid to touch.

In 1971, Mike Wallace of CBS’s “60 Minutes” called The Bird “The Wall Street Journal of the underground press.”

But, what does it mean?

First, the name, The Great Speckled Bird, comes from a country-gospel tune of the same name.

When the initial staff members, who were considering starting an alternative paper, heard this song in 1967, they knew they had a perfect title.

A history of controversy

The first issue came out March 15, 1968 and immediately generated controversy.

The first story was titled, “What’s It All About, Ralphie?,” a eulogy for Atlanta legend and then-publisher of the Atlanta Journal Constitution, Ralph McGill. The article was highly critical of McGill’s advocacy of dropping nuclear bombs on Vietnam.

 

This would not be the last controversy. On May 26, 1969, The Bird ran a cover that featured a muscular, bearded man holding a large weapon shouting, “C’mon and Get It Motherfuckers” against a Coca-Cola background.

A month later, Atlanta Police arrested then-Business Manager of The Bird Gene Guerrero and three paper vendors for selling obscene literature to minors and violating the city’s profanity ordinance. The charges were later dismissed. When The Bird ran the news, that they had clarified the freedom of the press in Atlanta for everyone, staffers added wittily, “I wondered what made the motherfuckers change their minds?”

The Bird had a habit of criticizing the local establishment, be it the police who harassed local hippies and Bird vendors, real estate developers, or City Hall, especially then-Mayor of Atlanta Sam Massell.

The 1972 Office Firebombing

In May 1972, an unknown assailant(s) firebombed The Bird office at 240 Westminster Drive in the middle of the night.

Most of the house was destroyed along with back issues of the paper and other artifacts. A police report was filed but no arrest was ever made in connection with the crime. Most Atlanta residents denounced the attack.

But like the Phoenix rising from the ashes, The Bird emerged from the fire and continued publishing without missing a beat. Benefit dinners were held and donations were made to help the paper recover.

A Volunteer and Freelance Staff

From 1968 through 1976, things went on this way. The work was hard, the pay was low, and the harassment constant. Staff members came and went, contributing what they could when they could. The Bird retained the sporadic services of various printers willing to print the paper.

Many staff members worked on and off for pay, depending on the financial situation. Those who were paid made between $40 and $60 per week, maybe less.

Bob Goodman and Krista Brewer took extra jobs to supplement their incomes. Goodman sold copies of The Atlanta Journal Constitution out of his Volkswagen Bug. Brewer worked as a waitress.

Ted Brodek earned a satisfying wage as a Professor at Emory University and was strictly a Bird volunteer.

One volunteer who asked for her name not to be used in this article was a volunteer who lived on 14th Street. Depending on the time period, this person worked as a college English teacher, a waitress, and sold The Bird on the street.

Howard Romaine worked on and off as a volunteer and was a staff member of the Southern Student Human Relations Project for a time.

Nan Orrock was a legal secretary for Maynard Jackson, who later became Atlanta’s Mayor, and was an office manager at the ACLU’s regional office.

The early days saw the paper produced at The Birdhouse, a 1920s era two-story house, on 187 14th Street in the heart of Midtown.

The Bird cost 15 cents (20 cents outside Atlanta) and came out bi-weekly. By the end of 1968, staffers produced the paper weekly. At its peak, The Bird produced 20,000 copies, 36 pages long with 2 and 3 color covers.

Vendors made a nickel for every copy they sold and later as much as 10 cents. Subscriptions proved a valuable revenue source throughout the life of The Bird as well.

There was no explicit leadership structure, though there might have been an unspoken, implied structure. Most decisions were made democratically.

The more psychedelic midtown that once in fact existed

In those days, Midtown was the hippy and artistic haven of Atlanta. Between 10th and 14th Streets, the counterculture held sway. Many free concerts and other gatherings were held in Piedmont Park, including an early performance by The Allman Brothers.

Suburban residents would come to Midtown on the weekends to see the “freaks.” In fact, the area would become so jam-packed that it was hard to travel in the area.

The police made a habit of harassing the residents of the area for various, often bogus, reasons. The Bird produced many accounts of these incidents in their pages and made it their habit to expose unwarranted police harassment to the public.

In 1969, a police riot broke out in Piedmont Park when officers clashed with “loiterers” and “trespassers.” Police clubbed and chased people through the park and out onto 14th Street, where some who were running were caught right in front of The Birdhouse. Some Bird staffers later took affidavits from some of the victims.

The late ‘60s and early ‘70s was a low period as far as development was concerned in Midtown. Residents had abandoned the homes in the area and The Bird staff was able to negotiate a cheap rent deal for The Birdhouse.

Later, real estate developers and other business interests snatched up the land at low prices.

During the eight and half years of The Bird’s prime existence, the city continued to rezone and raise rent in Midtown to the point where the colorful inhabitants increasingly could not afford to live there. When Colony Square appeared, it marked the beginning of the kind of development seen in Midtown today.

Today’s residents of Midtown would be unable to recognize their surroundings if they traveled back in time. Small businesses and homes have been replaced with towering skyscrapers, fancy residential complexes, and hotels.

The Bird shuffled locations several times, leaving The Birdhouse for other nearby Midtown locations, including 253 North Avenue in 1970 and 956 Juniper Street in 1973, before ending up on 449 and half Moreland Avenue in Little Five Points in 1976.

A spectrum of leftist writings

For a long time, The Bird was able to operate without competition from other local alternative newspapers, allowing them to make a full-throated defense of liberal, progressive, socialist, Marxist, and Leninist issues.

The degree of how far a story was to the left depended on what the issue was and who was writing it at what time. The early years saw more radical viewpoints than the later years. The diversity of the staff led to these varying editorial positions.

The early years saw many stories about anti-war and anti-draft rallies, tales of conscientious objectors’ struggles with the law, civil rights, accounts of police harassment, geopolitical and moral stories dealing with Vietnam, labor strikes, and so much more.

Unlike today’s Atlanta Progressive News, which is written in hard news format, Bird stories ran the gamut from rigid, traditional news style pieces, to stream-of-consciousness, poetry, and freeform.

Advertisements for clothing stores, bookstores, music stores, and music festivals splashed across the pages. There were arguments about whether to include advertisements early on but advertising was another valuable source of revenue.

There were pictures; letters to the editor, some more friendly than others; cartoons; and reviews.

The Bird volunteer who asked not to be named for this story said she had worked for The Bird from 1968 until 1973 covering student and political news, helped put together a calendar of events. She told Atlanta Progressive News the task was difficult because staff members had to pound the pavement, travel by foot to universities, and keep up with the mail to create the calendar.

The Bird would learn of lectures and antiwar marches, as well as other events, by looking at university bulletin boards. This was before Creative Loafing, the Internet, and other sources existed to provide that kind of information.

Many of the freakish but brilliant sketches and drawings adorning the pages from 1968 to 1972 were created by the talented late Ron Ausburn and were reminiscent of the macabre style of gonzo sketch artist Ralph Steadman.

Writers for The Bird were united by one thing: the search for truth. The Bird existed during perhaps the most chaotic period in American history. Production played out against the Vietnam War and the Civil Rights, Free Speech, and Women’s Rights Movements.

News and Activism as Overlapping Goals

For many staffers, involvement in progressive politics did not begin with work at The Bird. Many early staffers were already well trained in civil rights, anti-war demonstrations, and organizing.

Goodman, who wrote for The Bird for four years starting in 1968 covering transportation, labor, and anti-war issues, was opposed to the Vietnam War before reaching The Bird.

The time Goodman spent at the University of Missouri allowed him to work with the Congress of Racial Equality to organize sit-ins before moving to Atlanta in 1966 to teach at Morehouse College while doing graduate work. Goodman left before he could finish his doctoral degree.

Brewer, who wrote for The Bird in the early ‘70s covering local issues, came from “liberal, non-activist” parents and wrote some for her high school and college newspapers. She became interested in feminism and joined The Bird after seeing an advertisement.

Brodek was opposed to the Vietnam War strictly for geopolitical reasons. It was during the two years he spent in Germany before coming to Atlanta in 1967 that he heard about the atrocities happening in Vietnam that turned his opposition into a moral one.

Romaine, who also came to Atlanta in 1967 with his wife Anne after finishing his Master’s Degree in Philosophy, was interested in the Civil Rights Movement in the South and the electoral politics that grew out of that.

These issues were the main topics Romaine covered during his time at The Bird. Anne also wrote for The Bird, including a review of a Joan Baez book.M

Orrock became involved in progressive politics when she participated in 1963’s March on Washington, the site of Martin Luther King Jr.’s famous “I Have a Dream” speech. That march “really changed my thinking” on racism and segregation, Orrock said.

In 1967, Orrock and her husband moved to Atlanta. Along with five others, including Anne and Howard Romaine, Orrock helped start The Bird with the goal of providing a different perspective on the issues. Orrock sold papers, set type, and wrote stories, particularly about labor and women’s issues, working on and off for pay.

The End of the Beginning

By late 1972, things began to change at The Bird. One office had been firebombed, leaving the paper and its staff in limbo for months. The cost of the paper had risen to 20 cents and would later climb to 25 cents per issue in March 1973.

1972 and 1973 marked the time some original staffers began leaving The Bird to pursue political activities full-time.

New members came on board and began toning down the paper, both in layout and content, putting more emphasis on local news and investigative pieces. Female staffers had also begun to demand equal pay and opportunities, as the feminist movement grew stronger.

The death of Ausburn in 1972 also contributed to a more basic format. Clever graphics and sketches gave way to simpler drawings and more photographs.

The Midtown community was changing too. The hippies and the rest of the artistic community slowly departed the area, leaving mainly winos and dope peddlers, thus leaving the paper with fewer vendors.

The Bird tried putting the paper in more stores and purchasing several vending boxes at $35 to $40 a pop to boost sagging sales. This method created some success but the move was not extensive enough.

Falling finances forced staffers to work for free again. Financial issues forced the paper back to biweekly publication in 1973 and finally to monthly in 1976.

The Atlanta Gazette and Creative Loafing both launched in the mid-1970s, drained advertising from The Bird, and proved to be formidable competition.

Ominous signs of closure began looming in 1973 when staffers kicked around the idea of folding the paper before a last ditch effort was made to save The Bird.

Throughout 1976, staffers held benefit dinners, rummage sales, and asked for money and resources to save the paper but to no avail. October 1976 saw the last issue of The Bird published with the caveat that production would be suspended “indefinitely.”

Several other factors contributed to The Bird’s demise in addition to those mentioned above. A lack of a political consensus and the heavy workload for little or no pay factored greatly in the decision. Staffers, after all, needed funds to eat and pay rent.

The Great Speckled Revival

In 1984, two separate groups tried to revive The Bird. One group was comprised of some original staffers while the other was comprised of newcomers. Lack of interest, misunderstandings, and lack of funding made for a short revival.

The third and latest reincarnation of The Bird was recently launched at the April 1, 2006, antiwar rally at Piedmont Park. This is the same day The Atlanta Progressive News print edition also debuted. In full disclosure, Barry Weinstock of The Bird currently does the printing for The Atlanta Progressive News.

Barry Weinstock, who helped print The Bird during the initial run and edited during the second run, is leading the latest charge to bring back the paper along with Tom Ferguson and Darlene Carra, both involved with the second Bird run.

Volunteers launched bird.thinkspeak.net to supplement the monthly publication.

Content includes international and national political news as well as some cartoons, letters, and stories from other writers who wish to send their work in to the paper for consideration.

They were wild. Where are they now?

Former staffers continue to work for progressive causes. Brodek does not participate in journalism anymore, instead working as a translator and a mediator. He is involved with the Georgia Peace and Justice Coalition and antiwar rallies.

Brewer left The Bird in early 1974 to pursue an opportunity to start a third political party in New York. Today she is a volunteer for a local chapter of the Women’s Action for New Direction.

Goodman participates in the antiwar rally at the CNN Center every Thursday and is involved with other antiwar efforts.

The Bird volunteer who asked not to be named said she left The Bird in 1973 to help Radio Free Georgia (WRFG-FM) get off the ground. “I really missed it when the paper folded,” she said. “It was an exciting time.”

Romaine organized George McGovern’s Georgia primary campaign in 1972 and helped deliver the state’s primary to the Democratic Party’s future nominee. After being involved in a serious accident that left him with a broken back in 1973, Romaine went on to attend law school at Louisiana State University in 1974.

His wife Anne passed away in 1995. He is now an attorney in Atlanta who writes poetry from time to time.

Orrock left the paper around 1971. She did attend some planning meetings of The Bird’s second revival but was not heavily involved in the reincarnation. In 1986, Orrock won a seat in the Georgia House and has been there ever since.

This year, she is running for an open state Senate seat that incorporates the area running south from Lennox Square to Clayton County and encompasses much of the east side of Atlanta. Orrock was featured in an Atlanta Progressive News article recently, “Georgia at a Crossroads, Orrock Says.”

APN could not interview all the people who contributed to The Bird over the years because their numbers are great. And there was certainly a lot of history that has gone uncovered here, so let this be not the end but the beginning of our journey down memory lane.

Weinstock hopes the newest incarnation of The Bird will become as successful as the original.

Issues of The Bird from 1968 through 1976 are archived on microfilm in the Woodruff Library at Emory University and some hard copies are available through Emory’s rare manuscript section. This is an excellent historical resource highly recommended by APN.

From Atlanta Progressive News

–About the author: Jonathan Springston is a Staff Writer covering local issues for Atlanta Progressive News and may be reached at jonathan@atlantaprogressivenews.com

hot grease

The Great Speckled Bird  vol 2 #26 pg. 14

hot grease

Sunday in the Park. Coo] breeze, light rain, sun – shine, sweet air and green, summer held motionless before fading gently out. People filter down and come to rest around the pavilion, inhaling the pleasant sounds of a folk-rock trio named Robin. More people materialize, exchange greetings and mill about while Robin leaves the stage and the Hampton Grease Band begins to bring up equipment. A couple drops mescaline because they know this will be good; the music will be a gift to them.

The band is set up then and they begin a long instrumental riff, relaxed and feeling out the day, getting themselves together and the audience together with them. Harold Kelling’s long easy guitar notes climb up and soar out over insistent rhythms working though bass, drums, and second guitar. The music is alive and the audience is getting behind it now as the band finishes out the number and Bruce Hampton takes the mike, tightens the tempo and starts to take care of business, laying down hard driving lyrics that soon have the crowd swaying, clapping and then some are up dancing.

And on. The music and the gathering went steadily up from there. Shouting and stomping vocals. Beautiful stretched-out instrumentals, silver singing guitar solos beating against the raindrops. “Gonna Let My Love Light Shine.” Blues. Soul. Rock. The drummer leans into it. Incredible counterpoint guitar work between Glen Phillips and Harold Kelling. perfectly matched, pushing each other on out, exploding in sound, exploding the people who are following the music now like a jazz audience, applauding riff after riff.

An afternoon of music. People radiate out from its center, circling the pavilion, populating the hill behind it. An afternoon of life, peace and consciousness, a still center in Piedmont while our brothers get castrated in Taos, heads beaten elsewhere. We needed it. They’re some of the best things we’ve got, these afternoons. Space to breathe. And live. We need our musicians.

Look for another one of these medicine shows around the middle of September. They are free, because music and medicine and people and expression should be free. Musicians have to eat, though. Maybe we can do something for them, too, next time?

—Clifford endres

stomp rights

by Louis Clata

The New York Times – April 10, 1970

The world rights to “Stomp”, the multimedia protest musical environment entertainment, have been acquired by Michael Butler, producer of Hair.

Mr. Butler plans to present the show, now playing at Joseph Papp’s Public theater, on the West Coast next fall and then bring it to Broadway next season.  “Stomp” is the creation of a group of young, disaffected Southerners who met and developed the musical at the University of Texas and then came north with it.

The producer says that he is contemplating some changes in “Stomp” and will work on them in conjunction with Douglas Dyer.

The sale of the world rights to “Stomp” will not affect the show’s commitment to a four month festival tour in Europe under the auspices of the New York Shakespeare Festival.  The tour begins May 21 in Paris, where it will be presented for nine days as the American entry at the Festival of Nations.

Copyright The New York Times Company.  All rights reserved

Southern Consciousness

The Great Speckled Bird vol. 2, #1 pg. 12

Southern Consciousness

Tell about the South. What’s it like there. What do they do there. Why do they live there. Why do they live at all?

You can’t understand it. You would have to be born there.

-William Faulkner, Absalom,  Absalom

On Saturday March 15 the executive committee of the Southern Student Organizing Committee will meet at the Tech YMCA to make decisions about SSOC’s future course. One decision will be whether or not to uphold the decision of SSOC’s staff not to support the “Southwide Mobilization Against the War in Vietnam and for Self-Determination” (Mobe) and its activities planned for April 4-6 in Atlanta. In all likelihood, the decision will be sustained.

That decision of the SSOC staff, made on February 24, has caused a bit of consternation to Mobe’s organizers. For one thing, the Mobe, despite the “South- wide” in its name, is essentially an Atlanta group. Without support from SSOC’s forty-odd organizers spread throughout the South, the Mobe will be hard-pressed to attract many people outside of Atlanta.

And there’s the rub. For the SSOC staff sees little purpose in spending much effort to send people, mostly students, to an action with which it has major disagreements. (SSOC says it does not oppose the march; it just does not support it. This apparently semantical distinction has practical implications: SSOC staffers will probably not encourage participation in the march, but will not go out of their way to discourage participation. Neutrality.)

Those disagreements result from both different organizational and different ideological perspectives. Organizationally, SSOC is southwide, the Mobe is not. The  Mobe, in essence, is a coalition of the Atlanta Workshop in Nonviolence and the Young Socialist Alliance, both small sects which do little organizing. Because a student movement in Atlanta is only beginning to get together, the two sects can still effectively dominate city-wide peace activities. That situation will probably not last for long if the two recent student anti-racism marches are any indication.

Ideologically, the Mobe’s Easter action makes three points: end the war, bring the troops home now, and venerate Martin Luther King, Jr. The Mobe propagates no analysis and is not concerned to point out the connections among various issues. In the absence of an ideology explaining these connections, the Mobe’s call ‘For Self-Determination” seems rather vacuous.

On the other hand, SSOC wishes to utilize Southern Consciousness to build a distinctly Southern movement for radical change. It views the Southern movement as “something farther-reaching, much more exciting and affirmative than opposition to a particular war.” In that context, it calls for the transformation of the “social, political, and economic structures which concentrate the wealth and power of the country in the hands of a relatively few people.”

Southern Consciousness: “We affirm our identity as a people who have a heritage of struggle against the powerful and unresponsive forces which have controlled our region …. Today, with the aid of a few powerful local politicians and businessmen. Northern industry continues to come South to exploit non-union labor and our natural resources …. We are now fighting for control of those institutions and resources which now determine our lives …. We are fighting for self-determination …. We are proud of ourselves, our- land, and our history. We are going to take it back. Liberate the South!” (Quotes above are from “Liberate the South,” an abortive SSOC proposal for a march on April 5.) The rhetoric of Southern Consciousness is also replete with condemnations of Yankee capitalism and Yankee imperialism.

SSOC has seen and still sees its primary emphasis as working with white students—mainly college students but now rapidly reaching into the high schools. Without a large student base it does not see much sense in trying also to organize poor and working class whites. It simply does not yet have the strength to do that. But it does encourage students to support actively-the struggles of poor and working whites. For example,

SSOC was heavily involved in organizing student support for textile workers on strike in North Carolina.

With regard to the Mobe’s Easter march, SSOC saw the critical question as: What is most effective in building the radical movement in the South? SSOC did not think the Mobe’s conglomeration of single issues sufficient. It wanted to project more than antiwar or anti-racist sentiments. It wanted to project a call for self-determination, not only for Vietnamese and for black Americans, but also for white Southerners. It wanted to project a militant Southern Consciousness. And it wanted to identify clearly the enemy—the power elite: Yankee capitalists and the scalawags who collaborate with them.

It was all too much for the Mobe. At the Atlanta- dominated “Southside Planning Conference” on February 15-16,  SSOC’s plans were rejected, though the Mobe did tack a “for Self-Determination” on its title. Various Yankees at the conference were upset by Southern Consciousness. Some pretended to see no difference between SSOC and the Klan. Others, more reasonable, felt unsure about the ambiguity and “reactionary overtones” of Southern Consciousness. And still others did not understand why SSOC puts so much emphasis on white students.

SSOC wanted to have the march on Saturday to attract more out-of-town students. I thought that SSOC might have been more flexible on dates, because it seemed to me that more GI’s could attend on Easter Sunday. GI’s themselves are split on whether or not to participate in public marches before the antiwar movement in the Army has built considerable strength. At any rate, I think SSOC needs to be more sensitive to groups other than students.

Southern Consciousness obviously perplexes some people because of the South’s history of vicious white supremacy.  SSOC sees its task as organizing whites because it very clearly is not going to be able to organize blacks, nor whites & blacks together-not with the growth  of Black Consciousness in the black community. White groups and black groups can coalesce to achieve certain goals; but integration as a strategy is dormant and will probably remain so for quite some time.

More importantly, SSOC projects Southern Consciousness because it is positive, it is something that can be built upon. Nothing substantial can be built upon guilt. White people cannot be organized to make a revolution by constantly telling them that they are guilty of oppressing blacks for 350 years. (An example of grotesque guilt is Lou Decker’s “An Open Letter to My White Brothers and Sisters” in last week’s Bird. A worse example was the burning of a Confederate flag by a University of South Carolina student.) If you are full of guilt and hate for yourself, your land, your people, and your history, you will not be able to fight that which oppresses you. You will be immobilized.

In creating Southern Consciousness, SSOC places a special emphasis upon the battles of Southern working people to be free. It stresses various union struggles and particularly the Populist movement. And it makes explicit that such movements to enjoy success have been and must be anti-racist. SSOC claims the early Tom Watson as its progenitor because , in the course of organizing small farmers to overthrow the Yankee capitalists and scalawags,  he preached the necessity of black-white unity to oppose the common enemy.

Southern Consciousness is based on an impulse that originates in the very depths of the Southern soul, in the intense and profound feelings for the rootedness of a society, no matter how much corrupted and still corrupt, which possesses certain values of deep meaning to human beings. The South possessed a folk culture, wrote David Potter, “long after it succumbed to the onslaught of urban-industrial culture elsewhere. It was an aspect of this culture that the relation between the land and the people remained more direct and more primal in the South than in other parts of the country …. even in the most exploitative economic situations, this culture retained a personalism in the relations of man to man which the industrial culture lacks.”

John Crowe Ransom: “A man can contemplate and explore, respect and love, an object as substantial as a farm or a native province. But he cannot  contemplate  nor explore,  respect nor love,  a mere turnover,  such as an assemblage of ‘natural  resources, ‘ a pile of money,  a volume of produce,  a market, or a credit  system.”

Liberate the South!

 -Steve Wise 

Showdown on 11th

The Great Speckled Bird Vol3#8pg.4

 Showdown on 11th

showdownon11th People are putting the paper to bed Tuesday night when that old familiar call comes: “Pigs are busting people on 11th Street.” So our crack riot-trained team of reporters and photogs converge on the scene, to find: a big red fire truck, brandishing its fire hoses at a still (slightly) smoldering can of garbage; a Journal/Constitution, paper-box (Right On!) blocking the Peachtree entrance onto 11th; a small scattering of freaks (“Community People” we call them) hustling and bustling about in customary gaiety, exclaiming on the near riot; and the familiar voice of Harky (The Rev. Klinefelter)’first far away, then nearing and finally turning the corner of Peachtree onto llth.

 

The entire scene converges to a spot about a third of the way down the street, and the rap continues, Harky’s words about what you do when you get busted and who you should call and write all this down on the back of your hands so you won’t lose it but nobody has a pen, words punctuated by an occasional pop bottle thrown at random into the street, and Harky talks paranoid about “outsiders” throwing things to provoke the cops, maybe even paid outsiders, to give them the chance to bust heads (but they weren’t).

 

So, all things being normal, I begin asking individuals what happened prior to this happy time, and quickly piece together the basics: three plainclothesmen slipped into 127 11th Street and busted two people, presumably for grass though no one knew for sure. Curious folk gathered across the street to see what was going on, and the bluecoats started coming, hassling people to move on, to clear the streets before they got busted. No one seemed to know what started the arrests, but suddenly people were being grabbed and hustled into a waiting paddy wagon—thirteen in all, held on $100-200 bond for Stopping the Flow of Pedestrian Traffic, one of those bullshit charges trotted out once in a while to Take Care of Contingencies.

 

But meanwhile I am eyeballing about a dozen pigs snorting up on their three-wheelers (Whoopee!) and four black paddy wagons congregating with an equal number of cars kittycorner across Peachtree and everybody getting out and stretching their legs and flexing their arms and hitching up pants and things like that. So I walk down to where Harky is holding forth about how important it is to get badge numbers, because we can’t indict the Whole Force, we gotta get the bad eggs in the basket and I interrupt and say that this dark spot ain’t no good for a riot, how about folks going up on Peachtree, give the Cadillacs and curious Oldsmobiles a chance at a piece of the action in case there was to be some.

 

But the action is apparently over for the night, and instead we are treated to a display of the latest hippie-cooling-off tactics: congregate in a massive show of force, station a paddy wagon at every corner, then start patrolling the area in groups of five—two white cops in motorcycle helmets brandishing nightsticks and three black Task Force cops in soft headgear, just playing it cool, responding with a smile at any taunts. Five down this way, five down that way, five over there and the rest of you guys wait here.

 

Soon it is again Christmas calm on Peaehtree, and the Task Force captain is walking down the street, doling out popcorn from a blue box, and a narc in a blue suit and yellow tie is arguing with kids that, no he ain’t never been to Haight Street ’cause he don’t like California and no, he ain’t about to go to the East Village ’cause there’s too much snow in New York, and I am being offered purchase of various and sundry chemicals much like any other Tuesday night. Folks at the Community Center are receiving calls from the jail, taking down names and charges, arranging with lawyers and Detective Pate comes in and tries to buy some stamps and a girl bleeding from the mouth and crying stumbles through the door and say’s “Cass and Marty beat me up” and J. tells Pate about a friend of his who was busted for 100 pounds of grass and his buddies had to quick unload the other 200 pounds to get him out of jail.

All in all I analyze it as virtually a dry run for the summer. Better get it together, my friends.

-t.c.

Hassles

Great Speckled Bird  June 22, 1970 Vol3#25pg2

There may still be a few folks around who believe that the cops in the hip community are our friends who are trying as best they can to protect us. If you still believe that, look carefully at what happened this week- end.

 On Friday night a group of kids had a good vibes gathering in the park. Some swam in the lake, others played drums. The gathering continued late into the night. Harkey Klinefelter, the “street minister” and Clarence Green the Mayor’s liaison man to hips, left at 3:30 a.m. About 4:30 a cop car came into the park, called for assistance, and began busting people. Eight freaks were busted for “creating a turmoil” and “use of profane language.”

 

Monday morning four of the eight showed up in Municipal Court. Two testified that they were leaving the park when a patrol car pulled up. They explained that they were on their way home. Cool. Then a few minutes later they were busted. Municipal Court Judge R. E. Jones found all four guilty and told them, “Y’all get this out of your system in the daytime.”

 

On Saturday night the management of Tom Jones’ Fish and Chips on the strip decided to give away free watermelon and stay open all night because of the kids in town for the Cosmic Carnival. A crowd of kids gathered inside the store and in front of it having a good time.

 

About 1:00 am Officer Snowden arrested High Pocket’s brother, Charley, for dancing in the store. That’s right — dancing. Last week the Fish & Chips folks asked for and received a permit for dancing. The permit itself hadn’t come in she mail yet, but the store manager had posted the minutes of the Police Alder- manic Committee showing the request on the wall next to the business license. When Charley was arrested manager John Wynn called the owner of the store Mr. Crenshaw. Crenshaw came and talked to Sgt. Bell who was in charge of the precinct station.

 

Bell refused to look at the minutes of the meeting posted on the wall. Although Charley was in jail, things seemed to have quieted down so Crenshaw went back home.

 

About 3:00 a.m. Snowden came back in with a number of cops and said that anyone dancing would be arrested. It looked like the shit was about to hit the fan so Wynn called Crenshaw again. Crenshaw came and was told to go to the precinct station to talk to Bell. The cops left but were back in ten minutes with a paddy wagon. Bongo was arrested. Charley who had just returned from the jail was arrested again. The store’s assistant manager, George Jones, was arrested in front where he had been picking up litter. Manager Wynn was arrested in the doorway of his store. A customer was arrested at the counter where he was buying a coke.. All the kids in front of the store were behind the line police had previously respected as the part of the side- walk kids could safely stand behind. In all, 21 arrests were made for loitering at 3:30 am on a deserted side- walk devoid of anyone who’s passage on the sidewalk could have possibly been blocked by the kids. One excuse of the cops was that the door to the store was blocked. No complaint was made by the management of Fish & Chips—on the contrary they were arrested.

 

The men were piled into one wagon, women in another. The door on the men’s wagon was shut and locked. Officer J.E. Witcher, badge number 2036, came up to the back window of the wagon and said, “Hey you motherfuckers, we’re going to really screw you.” He held up an aerosol can. Someone in the wagon said, “Is that a can of mace?” “No”, he replied, “I’ve got a nine foot dick full of piss,” and he emptied the entire can of mace into the wagon. The night before, the community patrol had complained to the precinct station that 2036 was harassing kids on the street. Capt. Baugh, head of the precinct, says that 2036 was assigned to paddy wagon duty in South Atlanta Saturday night. He promises an “investigation”. You bet!

 

In court Monday, Fish & Chips attorney, Stanley Nylen, defended all those arrested. The cops testified that they warned the kids that they would be arrested if they didn’t move. All the defendants agree that no such warning was given. One cop was asked by Nylen if he knew whether mace was used or not. He said he didn’t, that he had only heard some of the kids claim it had been sprayed. Those in the wagon remember that cop asking them as he leaned into the wagon at the precinct station to write the tickets, “What’s this that’s making my eyes water.”

 

Lunch time approached and only store manager Wynn had been able to testify for the defense. Judge Jones said that if all the defendants were going to testify he would postpone the case until the next day. With 21 people involved and knowing what the verdict would be anyway. Attorney Nylen felt he could not wait. Jones declared a recess to talk with Nylen and the cops. In recess Jones talked to the cops who said that Wynn and Jones had encouraged the kids in the store. In court they had said that they didn’t know Wynn and Jones were store employees. More lies. Jones came back and found everybody guilty. He suspended the fine of all except Wynn, Jones, Bongo, High Pockets (who’s black), Charley, and Fang. Fang was charged with four offenses. The cops tried to blame the whole thing on Fang, who protested the arrests. Nylen and the Fish & Chips people are appealing the convictions of Wynn, Jones and Fang.

 

According to Crenshaw, the Fish & Chips has been harassed by the police since it opened April 2. At various times of the day four or five cops will come in and hang around. There has never been trouble at the Fish & Chips, and they’ve never had to call the cops. Crenshaw charges the police with conspiring to put him out of business. At a press conference Tuesday, Crenshaw announced that he is filing suit against the city for interfering with his right to operate a business. Wynn and Jones intend to file criminal charges against Witcher for the assault with the mace.

 

 

 

Sunday night I was in the Fish & Chips talking With Bongo about the previous night’s big bust. After a while I left. A little later a girl came up to Bongo and said that five cops had been hassling her with talk like, “Where did you get those clothes?” and “Why don’t you wear a bra?” Bongo picked up his pad and pencil and said, “Let’s go get their badge numbers.” They first found Officer W. D. Osborne, who was standing in front of the Metro skin flick. Bongo went over and wrote down the badge number. Bongo said, “It’s people like you, brother, who give us trouble down here. I’ve got a press conference tomorrow, and I’d like to tell them about this and tell Mr. Green.” Gilbert Hinson, owner of the skin flick and head of the 10th Street Businessmen’s Association, was out front and he demanded that Bongo get off his private sidewalk property. Bongo left and went to take another cop’s badge number. Osborne came up and said very softly, “Don’t let me catch you off the strip.” Bongo, who has a way of remaining cooled out, said, “Did you hear that, people? He told me, ‘Don’t let me catch you off the strip.” Then Osborne motioned for Bongo to come over to him. That brought Bongo over the property line of the skin flick Henson shouted, “Arrest him for creating a turmoil.” Osborne grabbed Bongo and took him away through the theater. As they left Bongo shouted, “They’re arresting me for carrying a concealed weapon and it’s only a Boy Scout knife.” Apparently the cops found that the Scout knife was too short to be covered by that ordinance so they charged him with Hinson’s “creating turmoil.” At the jail. Bongo paid a collateral bond and was out of jail but still in the station. A call came saying “Hold Jenkins (Bongo) for additional charge; ” The additional charge was “criminal defamation, a state charge and Bongo spent Sunday night and Monday in jail.

 

In court Bongo told his story of what had happened. Father Gregory Santos of the runaway program, who was with Bongo, testified and corroborated his story. But the cops and Hinson testified that Bongo had accused Osborne of making improper remarks to a woman and had threatened him with, “We have ways of taking care of people like you.” The judge, Jones again, ignored the testimony of Santos and that of Bongo. Accusing Bongo of “attempting to intimidate, the officer and threatening him,” Jones found him guilty on the turmoil charge and bound him over to state court on the defamation charge. Jones said that Bongo should have made a complaint about the cop to the police and the city instead of exposing the cop to “hate and ridicule.” Attorney Al Horn pointed out that that was precisely what Bongo was trying to do in getting the badge numbers, but Jones would not listen.

 

Three harassment busts, three sets of convictions in municipal court where simple justice is never found. Cop 2036 will at most be simply suspended from the force for a few days and I’ll lay bets even that won’t happen.

 

Nobody’s talking peace and love on the strip anymore. No one should. Instead kids are trying to figure out ways to protect themselves from the cops. Apparently somebody began on Friday night. According to rumors on the strip (I was unable to locate any eyewitnesses), a couple of guys were stopped for a grass bust. Apparently one shouted to some passersby, “Hey, can’t you help a brother?” Some did and in the next few minutes one cop was knocked out and the other cop had shot in the leg a guy who was crossing the street. One story says that the cop was knocked out when he hit his head trying to tackle somebody. At any rate, it seems that some freaks helped their brothers resist an illegitimate arrest. Expect more.

 —gene guerrero, jr.