Sunday July 19, 1970

droppedImage_1clipping from The Marthasville Vacuum

Sunday July 19, 1970

Activities started a little late this particular Sunday in the Park. First to appear were the Rhue Sisters. They offered a pleasant beginning for a day in the park. They were two attractive young girls who played and sang folk material by other artists. Although their guitar was out of tune and their microphone technique needed improvement, their vocal harmony made up for these faults.

To get back to the usual pace of the Park, a group from Macon called Free Soil was next. They did original progressive rock which included an alto lead voice, a sharing of leads and a song that went from 4/4 time to 5/4 then back to 4/4. The group looks like they will come up with some great sounds to turn the Atlanta people on to good music.droppedImage_1

The next group, Shayde, immediately crowd’s attention with their building sound. They were loud and heavy – a sound that the parkers love. They played their philosophy in music, “Free expression of music”.

After Shayde came Freight. This group consists of nine members, three of which make up an incredible horn section. Rico, their front-man, displayed professional showmanship, characteristic of a New York City performer. They played mostly Chicago material which did both groups justice.

Brewer and Shipley, a slightly over hyped but fairly good folk team ended the day at the park. They played some of their own   songs   plus   some   original arrangements of music by other musicians. They had the quality of being outstanding, but it was obvious that they were new to the audience situations that the record company had put them. They both combined their voices with their guitars giving them a full and balanced sound- a sound that the parkers love. They played their philosophy in music, “Free expression of music”.

After Shayde came Freight. This group consists of nine members, three of which make up an incredible horn section. Rico, their front-man, displayed professional showmanship, characteristic of a New York City performer. They played mostly Chicago material which did both groups justice.

droppedImage_2Brewer and Shipley, a slightly over hyped but fairly good folk team ended the day at the park. They played some of their own   songs   plus   some   original arrangements of music by other musicians. They had the quality of being outstanding, but it was obvious that they were new to the audience situations that the record company had put them. They both combined their voices with their guitars giving them a full and balanced sound.droppedImage

 

 

 

 

 

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Anyone recognize these bands playing in Piedmont March 1971?

 

 

Thanks to Tom Harrison who found these two photos from 1971 loose in a drawer. Go see what could you find?

 

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2 thoughts on “Sunday July 19, 1970

  1. i’m the trombone player in the picture, Al Shepard is the Tenor Sax player to my right, Ricky Littlefield is the guitar player, Gary Burns was the bass player, Mickey Cantrell drums, Earnie Baker not pictured on Trumpet and Rico ? Front man this band from 1969 till mid 71-2 played clubs around Atlanta. The Sans Souci, Carl’s Club the Golden Horn, the SouthernAir Club, The Big Dipper (later Lou’s Blues Review) on Ponce and around the south eastern states. We were the Back up band for Richard Spencer (the Winstons) Grammy song of the year winner 1969 ( Color Him Father ). Then Billy Joe Royal 72 -3 or so Ricky Littlefield guitar ended op with Bobby Gentry (ode to Billy Joe) and later L.A. Now lives in Athens Ga. I became principal trombone in the Atlanta Pops Orchestra, Theater of the Stars, Broadway Atlanta, pit musician at the Fox Theater for 30+ years, freelance musician playing shows with ALL the larger than life big names that came through Atlanta. From Brenda Lee to Frank Sinatra to ALL the Motown acts. I’m still very active and currently in 8 different bands of various styles. This pic is indeed a flashback for me. I had been out of the Army for a year and was letting it fly.

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